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I'm tired of people running down Audio Note (UK)

62.44.134.247

Posted on August 22, 2015 at 00:18:50
Frihed89
Audiophile

Posts: 15703
Location: Copenhagen
Joined: March 21, 2005
I am fortunate to have an Audio Note (UK) dealer in Copenhagen. At first, I was hesitant to even go in the place because of what I had read about AN gear being over-priced.

What I was surprised to learn was that AN made a lot of reasonably-priced equipment that sounded a lot better than anything I had ever owned up to that time (about 15 years ago). I ended up taking home a P-1 SE power amplifier.

Since that day, I have owned an Audio Note Meishu Silver (used), two different AN CDP models, a pair of AN-K Spe speakers, a Conqueror Silver, and a bunch of their Lexus ICs and speaker cables. In the process, I have also auditioned virtually all of their Level 0, 1 and 3 (is there a Level 2?) Dacs and amplifiers- both SE and PP. (Yes, AN makes a Class A PP power amp, the P-2 and integrated, Soro).

I'd also like to add that, as long as you are careful, you don't have to have an all-Audio Note system to get the best (to my ears) out of Audio Note amplifiers, speakers, digital front ends.

I would like to hear from others who have had the same experience as I have. I'm tired of people bashing AN for the prices of their Level 5 products, without any knowledge of their less expensive gear.

 

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RE: I'm tired of people running down Audio Note (UK), posted on August 22, 2015 at 04:29:42
Bob Neill
Dealer

Posts: 2957
Location: New England
Joined: October 1, 1999
The new OTO Signature is one of the best integrated amplifiers around and also one of the best amplifier values. It can even drive JMR Bliss Silvers happily, though it would prefer....

The K/SPe, which is among the best kept secrets in the audio business, descendent of the much love KLH Six and Celestion SL6 and significantly better than both.

There are similar secrets elsewhere in the Audio Note line but I'm already in trouble just responding to you, so I'll back off and wait for the censors to arrive.

But yes, as many of us have often said, there's gold in them thar AN foothills. Lots of music below the Level 4 and 5 frostline.

FYI, the P1 and P2 are Level 2 as is presumably, though not so designated, the basic OTO SE. The SE Signature is definitely a Level 3.

 

It is human nature, they kind of invite the problem, posted on August 22, 2015 at 04:44:15
Chip647
Audiophile

Posts: 2784
Location: The South
Joined: December 24, 2012
What is probably most off-putting is the level ratings itself. A lot of audiophiles are not happy buying something that the manufacturer has rated inferior in their line. It is just human nature and people look at the ratings like:

Level 0 - poor beginner
Level 1 - Tosser
Level 3 - Can't afford our real products
Level 5 - Audiophile

I am not saying any of this is rational, but high end audio is not a rational sport. I know it is no different than what Stereophile does, but at least that rating is external from a user perspective and there is the odd chance that the rating is not completely price based.

 

RE: It is human nature, they kind of invite the problem, posted on August 22, 2015 at 04:57:16
Bob Neill
Dealer

Posts: 2957
Location: New England
Joined: October 1, 1999
But you sort have to admire their sense of humor about it. For example, the Level Zero digital transport is really good. I'll bet they invented Level Zero with a twinkle in their corporate eye. As in, We bet you're too proud to buy something designated Level Zero that's this good.

 

P.S., posted on August 22, 2015 at 05:17:30
Bob Neill
Dealer

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Location: New England
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Actually, there is a point to the AN Level system. It is designed to enable us to put together systems of components that are of comparable...sophistication. A system made up of all Level 3 components, for example, will likely sound better than one with a Level One transport, Level Four dac, etc.

 

Attended dozens of Audio Shows over the years..., posted on August 22, 2015 at 07:28:31
Ivan303
Audiophile

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Location: Cadiere d'azur FRANCE - Santa Fe, NM
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Contributor
  Since:
September 3, 2024
From CES 15 years ago where I first met Peter Q to the California Audio Show which I attended last weekend.

Audio Note is consistently one of the best sounding rooms year in and year out.

Same old carp, Snell speakers, springy TT with a Frisbee for a platter, etc. ;-)

How can that be?




First they came for the dumb-asses
And I did not speak out
Because I was not a dumb-ass

 

RE: P.S., posted on August 22, 2015 at 08:08:52
Chip647
Audiophile

Posts: 2784
Location: The South
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No argument there.

The issue of the people harping on AN (UK) boils down to the same thing as people criticizing the Porsche Boxster that it is not a 911 then complaining that 911's are too expensive. The root cause is that most people are idiots.

 

RE: P.S., posted on August 22, 2015 at 08:47:44
onemug
Audiophile

Posts: 1276
Location: So. California
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Funny and accurate...I like that!

 

RE: It is human nature, they kind of invite the problem, posted on August 22, 2015 at 18:12:14
RGA
Reviewer

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Location: Hong Kong
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Personally I liked Audio Note's Level Minus 1 and 2

Level Minus Two: Class B push-pull transistor amplifiers, no Audio Note amplifiers in this Level

Level Minus One: Class A push-pull transistor amplifiers, currently no Audio Note amplifiers in the Level

In other words - Audio Note's entry level is better than anyone's SS amplifiers. Level Zero is the beginning of quality music reproduction.

And after reviewing the Level Zero I-zero amp which dethroned my long time favorite Sugden A21 rather easily and which costs 50% more money than the I-Zero that is a pretty good showing. The DAC Zero is still non oversampling and is unlikely to be bettered for under $2k and the AX Two speakers are $500 less expensive than my KEF LS-50 and sound better than the LS-50. Start adding it up and they come well well under competitors as a system.

And I maintain the lower levels of the AN E, J and K are already firmly in the bargain camp compared to what is out there. You can get an AN J for $4k and a K for under $3k.

And the OTO - well I have the older one now for the last 12 years and couldn't be happier - the fact that I can sell it for what I paid for it - (ahem so tell me about cost again) is a bonus.

Indeed, Resale value should factor into these conversations. What is the NET cost of the product and If I buy a $2k Audio Note amp in 2003 and in 2015 I can sell it for $2k I lose inflation BUT if I had bought (enter pretty much anything else here) for $2k in 2003 I am very likely to get MAYBE $700 in 2015 and if it's Chinese or most solid state I'd be lucky to get $300. I lose the inflation and well over $1000.

Granted it doesn't work with all AN stuff but when the company keeps the same product in the line for 2 decades and every two years the price of the thing keeps going up then it will hold resale value. If you bought those (enter name of most SS amps) where they changed models every two years the perception is that they were changed for a reason - like they sucked and needed to be fixed in some way. In 10 years the OTO Sig iss likely to be priced at over $9,000. If you buy one today for $6,000 then in 10 years people will see the $9k price and when you sell yours for $6k the second hand buyer will see it as not a bad buy. Plus they won't want to wait 8 months to get the new one.

 

Audio Note's entry level is better than anyone's SS amplifiers., posted on August 22, 2015 at 18:28:51
Bob Neill
Dealer

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Location: New England
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Heifer dust.

 

RE: Audio Note's entry level is better than anyone's SS amplifiers., posted on August 22, 2015 at 18:48:52
RGA
Reviewer

Posts: 15177
Location: Hong Kong
Joined: August 8, 2001

SS = I can't believe it's not butter.

Sheldon Cooper - "I have no difficulty in believing you're not butter."

 

RE: Attended dozens of Audio Shows over the years..., posted on August 23, 2015 at 05:44:22
SETdude
Audiophile

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How can that be? If you have something that works......

 

RE: It is human nature, they kind of invite the problem, posted on August 23, 2015 at 05:48:21
SETdude
Audiophile

Posts: 3944
Joined: January 20, 2000
Many of us are too smart to fall for such a silly 0-5 concept. Perhaps if we did we would not be here. Just something to consider. :-)

 

RE: I'm tired of people running down Audio Note (UK), posted on August 23, 2015 at 06:38:51
Peter Qvortrup
Manufacturer

Posts: 940
Location: South of England
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Hi Bob,

The OTO Phono SE Signature is a top Level Two product, to become a Level Three product it would have to have no feedback and use a directly heated triode output stage.

I digress
Peter

 

RE: It is human nature, they kind of invite the problem, posted on August 23, 2015 at 06:43:43
Peter Qvortrup
Manufacturer

Posts: 940
Location: South of England
Joined: December 8, 2000
Dear Chip,

The Level system was really devised as much to give a finite "rating" to various amplifier technologies at their peak performance range, as to act as an "advisory" for customers and dealers when putting together a complete system, even when it is bought piecemeal.

Sincerely,
Peter

 

RE: I'm tired of people running down Audio Note (UK), posted on August 23, 2015 at 07:38:35
Bob Neill
Dealer

Posts: 2957
Location: New England
Joined: October 1, 1999
Happy to be corrected. My ears tell me it's "Top" Level Two for sure. I know your levels are defined specifically by their technical components/attributes. But when we don't know the defining details, we guess the levels with our ears!

 

RE: Attended dozens of Audio Shows over the years..., posted on August 23, 2015 at 20:18:57
Wojciech
Audiophile

Posts: 5401
Joined: June 23, 2009
So true ..I've been in dozen shows as well and I kept coming back to AN room like an oasis , not only because it sounds good. It's also because Dave Cope is a class act and plays meaningful , well recorded, mostly moving ,content loaded music. I can't afford most of that AN gear, but I go around and listen to all that bombastic setups $40k speakers and the rest up to that price and I don't have a fraction of listening pleasure compared to Audio Note room . No gizmos , cable risers , special ball magnetic isolation devices , NASA subcontractor built shelving racks , none of it. I know the higher level is expensive , but everything is expensive nowadays. It is kind of sad that Chinese buy Audio Note gear and Americans happily buy Chinese...

 

Agreed, posted on August 23, 2015 at 20:55:02
emakay
Audiophile

Posts: 327
Location: SF Bay Area
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The AN K/SPe speakers sounded MIGHTY fine at CAS 2015!

 

RE: Attended dozens of Audio Shows over the years..., posted on August 23, 2015 at 22:59:42
Frihed89
Audiophile

Posts: 15703
Location: Copenhagen
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You'd be surprised. The P1 and P2 power amps come in SE or PP. Their integrated partners are the OTO and the Soro Integrated. The P1 and P2 are about £2200 (i think) in the UK, probably less in the US without the VAT.

 

RE: Attended dozens of Audio Shows over the years..., posted on August 24, 2015 at 07:42:06
Bob Neill
Dealer

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Actually, if memory serves, AN usually has two rooms, the expensive room and Cope's room, which uses only moderately expensive stuff...E/SPe HE's, etc. Maybe things have changed but I somehow doubt they've changed much....

 

RE: Attended dozens of Audio Shows over the years..., posted on August 24, 2015 at 08:07:26
Wojciech
Audiophile

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I'm in flyover part of the country and the shows I attend usually have only one "moderately priced at $20k-$40k" AN system hosted by Dave.
Now, if only I could make my original Snell K sound a little bit closer to AN K I'd be $2950 ahead ...:)

 

RE: Attended dozens of Audio Shows over the years..., posted on August 24, 2015 at 08:42:19
Wojciech
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Posts: 5401
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I'm not surprised really , I play my half DIY OTO SE (Thanks P.Q!) downstairs and my half DIY kit 4 ( 6v6 PP with new copper shrouds OTO PP OPT's ) upstairs :) ,went a little bit overboard with PSU...since I don't have to pay living wages to skilled British workforce..

 

RE: Attended dozens of Audio Shows over the years..., posted on August 24, 2015 at 08:54:53
Bob Neill
Dealer

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OK, sounds sensible. $20K to $40K is a big spread but probably covers the range for a good number of 'philes. With AN, it's always tempting to cheat a little on cable and the front end, and that can take it up fast. As good as AN copper cable is, AN speakers love silver and w/o sllver AN ain't quite AN; so that's where the escalator starts. Not sure what the sweet spot is among the digital front ends these days, but if you go to separates, there's more trouble! Anyway, Cope always used to use a one-box CDP and probably ISIS cable, which keeps things under control.

There is a line among most audio marques that crosses from music territory into sound territory. Cope has been around Audio Note long enough to know where that line is.

 

RE: Attended dozens of Audio Shows over the years..., posted on August 24, 2015 at 09:48:56
Wojciech
Audiophile

Posts: 5401
Joined: June 23, 2009
Actually , it is a source which usualy is the most expensive part of Dave's systems . TT2 with new AN arm is over $7K , than the cartridge... He frequently brings separate digital rigs which retail at over $15k. The amp of choice is mostly new OTO sig which is a lovely sounding amp indeed.
Speakers are modest K, and J's and bi-amp copper speaker cables.
That's said, over the years I have not heard one bad or average performing AN room on the show and when Mr. Charles King brought his small Stellavox R2R on recent Axpona this one modest presentation was worth the show's ticket.
My, 2 cents ..

 

Never Knew This Was Happening......, posted on August 24, 2015 at 10:35:51
Todd Krieger
Audiophile

Posts: 37473
Location: SW United States
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I think the only "criticism" is that the company's products are ideal in a "one brand" setup..... But then again, Naim is similar in that regard.

There is also something "psychological" about the "levels"..... A lot of people don't like getting into something that they either know is not the best the company offers or think they'll have to upgrade in a few years. I also think people aren't comfortable committing to a single brand, if "moving up levels" is the objective.

I've thought Audio Note had somewhat of a "house sound"..... A very nice "house sound", but a "house sound" nonetheless..... I will also say that the fit and finish of the products is close to the best in the industry.

 

House Sound, posted on August 24, 2015 at 13:27:46
Bob Neill
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Any line of gear designed by someone who is an artist as well as an engineer will have a house sound. Which is the sound he hears when he listens to music. He will not hear it as a house sound but the sound of music. If he is a genius or near genius, his house sound will be wonderful. It is we who hear the house sound just as we hear the voice of Henry James or Dr. Seuss.

There is nothing duller or less engaging than gear without a distinctive voice. Transparency is an illusion and also a false standard conceived of by designers, reviewers, and listeners who mistake information for music. Striving for neutrality rather than for the sound of music is a guarantee of sterility.

You know all of this, I just felt like saying it again. All of the gear in my house sounds wonderful to me (if it doesn't, it's gone) and each of the systems I put together has a different house sound. It always takes me a few days to 'change sounds,' but once I do, I'm back where we all want to be. Most of us anyway.

 

RE: Attended dozens of Audio Shows over the years..., posted on August 24, 2015 at 13:51:04
DRCope
Industry Professional

Posts: 1498
Location: Northeast CT
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Actually, the two room adventure happened only once in Vegas, a couple times at RMAF and every year in Milan, where I ran the $1M room and Mario ran the value for money room. Sadly the Milan show is kaput.

I now tend to take higher level gear to shows I can (reasonably) drive to, such as NY, Chicago and DC. Those three are getting the CDT Three transport, DAC3.1x, TT2 Dlx, Arm Three, IQ3 cartridge, M3 Phono pre, Jinro Shochu 211 balanced power amp and E/SPe speakers. AVShowrooms awarded us a Golden Sound award at AXPONA for that combo.

At shows that would involve shipping or crossing the Canadian border, such as Montreal, Vancouver, LA, San Fran and Denver, I throw myself on the mercy of local dealers. No more of the freight carriers Break One, Lose Two rule of thumb. This tends to result in more modest systems.
Keep your ears and your mind open.

 

RE: House Sound, posted on August 24, 2015 at 15:22:06
Wojciech
Audiophile

Posts: 5401
Joined: June 23, 2009
Absolutely agree with Bob . I tried many times to have "wire with the volume pot" type of system but was ending up with a dead sound and a misery . To heck with it! I'm going to be dead rather sooner than later so why I need to punish myself in order to have an "accurate" system which brings me little joy?
Anyway , I also feel that the Level system should go from official nomenclature . It can exist on dealer level to help with matching but it should be abandoned on official site. It almost feel like it was developed specifically for American customers....Let it go and replace it with ominous phrase "this is the best we can do in this budget frame and topology" The famous " at the end one gets what one pays for" can stay as a memento ;)

 

RE: House Sound, posted on August 24, 2015 at 18:27:30
SETdude
Audiophile

Posts: 3944
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I tried many times to have "wire with the volume pot" type of system but was ending up with a dead sound and a misery .

That will never work unless recordings are perfect...so it will never work. I use bleach in the laundry. :-)

 

RE: House Sound, posted on August 24, 2015 at 21:17:54
Tre'
Industry Professional

Posts: 17954
Location: So. Cal.
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"That will never work unless recordings are perfect...so it will never work. I use bleach in the laundry. :-)"

But all recordings are not wrong in the same way.

So what brand/type of bleach do you use?

Tre'
Have Fun and Enjoy the Music
"Still Working the Problem"

 

RE: House Sound, posted on August 24, 2015 at 22:59:59
Frihed89
Audiophile

Posts: 15703
Location: Copenhagen
Joined: March 21, 2005
Earlier, there was a remark about AN equipment pairing well with its own equipment. This is certainly true.

However, I have also found that some AN equipment does not pair well with some non-AN gear and that, if one is careful, it's possible to put together a decent sounding system with a mix of equipment.

In may case, I tried an AN M6 line with both a pair of 2-stage 2A3/45 monos and a Class A Triode PP amplifier and the amps didn't sound as good to me as they did with my deHavilland UV-3 preamp. The Conqueror Silver I have also sounds very good with the UV-3.

At the same time, my AN CDP 4.1x sounds great with any mix of equipment I have hooked it up to. I wait, excitedly, to hear the new R2R ladder Dacs that AN is working on.

 

RE: House Sound, posted on August 25, 2015 at 02:28:15
morricab
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If it doesn't bring joy then it is probably not really accurate.

 

RE: I'm tired of people running down Audio Note (UK), posted on August 25, 2015 at 13:29:47
I didn't read all the answers here but i wanted to give my view about AN.

I do make audiotransformers for my hobby for more then 20y.

I measered an AN trans former (EI core) and it is a really nice transformer but it has high copper loss and because the standerd EI also high core loss.
Nothing wrong here and i could imagine that there c-cores are a bit better.

But..... AN has NO realistic price for there c-core line. The prices are redicules high. It is advertising power talk what they use for the "quality" of the core they use and also for the silver wires they use. Beside that, the best cores available they don't use .
A super HiB core is just some dollars higher in price then a normer c-core and maybe the double price of an EI core and the price of silver... Well, everybody can look at the international pricelist for gold and silver what a realistic price would be. Making a wire is not so expensive....

So i can imagine that people get angrey about there policy..... " Quality" for foolish prices.

(and what quality they deliver? No datasheets at all, so no proof at all....yes, we need proof of quality: bandwith at different exitations, coreloss, copperloss)

 

May I express my dismay, posted on August 25, 2015 at 18:34:08
Mr_Steady
Audiophile

Posts: 2042
Location: North Florida
Joined: August 19, 2014
at the following quote from the AN UK website dated 2012/1/17,

>"Whilst the rest of the audiophile world continues it delusional and ultimately doomed love affair with the currently fashionable crop of what claim to be 'high resolution' computer sources, we at Audio Note (UK) continue to extract even greater degrees of information and quality from Red Book CD, which is still the best, currently available digital music format."

What a load of hooey. This pitch can only work on someone who has not heard hi-res albums.

How about this one from the ANK kits site,

>"Audio Note DAC's support Redbook 16/44 and 24/96 recordings but no higher. The reason is that you can't implement resistor ladder dac with higher level resolution due to the resistor ladder implementation - its been proven that the higher level resolution does not bring anything to the table when it comes to digital audio."

I won't even get into the proven thing, but it certainly brings higher resolution to the table. The superiority of 24/192 over 16/44 and 24/96 is obvious. At least as microdetail goes. It doesn't have to be a killer that your dac can only do 18 bits, but to shoot lines of crap like that. It doesn't build confidence. Yes I know they have new dacs on the way. It still doesn't change what they wrote.

Want to bet that when they release a 20bit 192khz ladder dac they will shoot you a new line? I hope it's not as full of crap as the above two.



------------------------------------------------------------
Big speakers and little amps blew my mind!

 

RE: May I express my dismay, posted on August 26, 2015 at 06:49:55
RGA
Reviewer

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Location: Hong Kong
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Except that reviewers who have heard top of the line all computer audio playback machines directly against AN's old school machines continuously and thunderously prefer AN's old school machines (and other machines that copy AN's old school machines also seem to be preferred.

I can say that I prefer listening to my DAC via the CD over the same albums on computer. Where Hi Res can (but not always) win is when there is a remastered edition but when I play both the same copies from computer or from the CD player the CD player usually wins.

But this is the SET forum - SET measures the worst technically - even against $259 Best Buy receivers. And this is the problem when people start throwing up "such and such" measures better because SET amps don't and if you're already down the rabbit hole you may as well judge based on the hearing of it over the computer techno blather that has invaded the audio industry where people choose their DACs like they choose computers - entirely based on the feature set and which dac chip it uses. I must say the marketing of it all is slick - every 6 months like cell phones the next DAC comes out - ooh ahh your DAC has 24/192 but Joe has the new 32/192 and Fred's 3 month's later has DSD - but Bob's has DSD 128 blah blah blah.

An AN DAC 3.1x will pretty much take anything on the market and beat its brains in.

And there is a reason why they can sell and command $10k, $30K, $50k $200K for these CD players - and yes the people buying them have heard the Bricasti and the dCS players of the world. Contrary to popular belief rich people aren't all morons.



 

RE: I'm tired of people running down Audio Note (UK), posted on August 26, 2015 at 07:02:17
morricab
Distributor or Rep

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I have never made a transformer but I have been doing a fair bit of research into the matter and I would generally agree with your statements regarding ANs transformer prices as well as the materials that go into them. I have been able to get similar materials as them for fractions of what they are selling for.

As for Silver, it seems everyone is charging huge upcharge for silver wired transformers. A Lundahl, for example, that would cost $300 is over $2K for a silver wired version!

 

RE: I'm tired of people running down Audio Note (UK), posted on August 26, 2015 at 10:12:01
Peter Qvortrup
Manufacturer

Posts: 940
Location: South of England
Joined: December 8, 2000
Dear 572,

Well, where do I start?

First of all, you cannot measure the sound of a transformer, just like you cannot measure the sound of a loudspeaker, so how something measures is often irrelevant to how good or bad it sounds wherefore judging any audio part on its measurements is bordering on the completely useless.

It is no different for other audio parts, a resistor is a resistor when you measure it, but they sound wildly different in many cases, so what do you learn from that?

If you live in technological flatland then you simply deny any empirical evidence that gets in the way of your neatly formulated and tidy theories, a lot of people find safety in that world, they just do not know what they are missing.

Anyone who says something different or perhaps, just perhaps, have looked deeper into the subject than you have and found things that contradicts the tidy two dimensional data sheet orientated world you live in must be either a charlatan or a conman, it is clearly completely beyond imagination that we may have found parameters that matter more than what is considered industry standard.

You say we do not use the best cores, but you do not say what you think the best cores are, what I can say is that we have over the years bought samples of every core material made by every major manufacturer in the world, including Cobalt-iron, 55% nickel, 48% nickel, 36% nickel, Z material, HiB material, nano-chrystaline, amorphous and so on, we own in house test equipment that allows us to test the permeability and every other parameter, we have conducted listening tests under identical conditions, so when we say something is better, then it is, it is not cheap to research things properly, some of that cost has to be reflected in the prices of what a commercial enterprise markets.

This of course does not mean you have to agree with us, we are fortunate to live in a free world, what it does mean is that you can only take technological relativity so far.

The proof is in the listening experience, not the data sheet and if trying to advance the understanding of what makes a better sounding audio transformer does not fit on a data sheet, so be it.

Making wire is not so expensive you say, well, how about getting some quotes for yourself and then see, fine 99.9% pure silver wire coated with high voltage insulation is enormously expensive, don't kid yourself.

If you are so clever that you can make a better and much cheaper transformer than we do, then be our guest and market your own and if you are right then Audio Note will have to sharpen its game further or go out of business, if not, well then, what can I say?

Being an arm chair general with no army perhaps causes bitterness?

Perhaps?

Sincerely,
Peter Qvortrup





 

You May Express Your Dismay, posted on August 26, 2015 at 10:29:28
Peter Qvortrup
Manufacturer

Posts: 940
Location: South of England
Joined: December 8, 2000
Dear Steady,

Neophilia is a modern decease, anything new must always be better than what it replaces, higher numbers matter or do they?

Progress is a straight line is it?

May I recommend a read of Robert Nisbets History of the Idea of Progress, you may find that useful.

The LP is the only true high rez format, nothing digital can EVER be truly high resolution no matter how tricked up the numbers are.

RGA is quite right in his observations so I have little more to add, except perhaps that it may help your deeper understanding of the subject if you sat down and looked at exactly how these Hi-Rez numbers are achieved, if you do you will perhaps soon realize that the extra detail you claim to hear are more likely a product of the A to D process than an actual improvement in resolution.

Oversample a few thousand times more and you get both higher numbers and greater saleability, a commercially good choice especially if also done at a lower price, standing squarely in the way of that, as we do rarely produces quick results.

Have you actually heard any of our better DACs combined with one of our CD transports?

Sincerely,
Peter Qvortrup




 

RE: I'm tired of people running down Audio Note (UK), posted on August 26, 2015 at 10:42:24
Peter Qvortrup
Manufacturer

Posts: 940
Location: South of England
Joined: December 8, 2000
Dear Morricab,

If you can buy the core materials we use for a fraction of the price we pay, then perhaps I should offer you a job?

How do you know the materials you have found are similar to what we use?

Have you looked into minimum quantities (MOQ), heat treatment processes and such like?

The same goes for the silver wire, as I said to Mr. Steady in another post fine gauge 99.9% pure silver wire with a reliable high voltage insulation is not cheap, no matter what you may believe.

Provide some details, and we can discuss further.

Sincerely,
Peter Qvortrup

 

If I may go off on a tangent here., posted on August 26, 2015 at 10:51:24
Garg0yle
Audiophile

Posts: 859
Joined: December 1, 2014
Peter, I was wondering what transformer parameters tend to drift over say the first 100 hours of use, if any and how much of a practical concern it is?

I'm asking you simply because you have the equipment and done the experimenting, I'm not asking about your products specifically.

Thanks.
△This message will self destruct in 10 seconds△

 

RE: May I express my dismay, posted on August 26, 2015 at 11:36:45
Mr_Steady
Audiophile

Posts: 2042
Location: North Florida
Joined: August 19, 2014
>"Red Book CD, which is still the best, currently available digital music format."

Do you think this statement is true or false?



----------------------------------------------------
Big speakers and little amps blew my mind!

 

RE: You May Express Your Dismay, posted on August 26, 2015 at 12:05:03
Mr_Steady
Audiophile

Posts: 2042
Location: North Florida
Joined: August 19, 2014
Hi Peter,

>"Red Book CD, which is still the best, currently available digital music format."

Do you think this statement is still valid?

So I suffer from delusions and Neophilia? Have you ever met a neophiliac who uses SET amps, all horn speakers, and vinyl? I've recently made the jump into hi-res after sitting on the fence for five years. I'm not a numbers person. My positive statements regarding hi-res are solely from listening to them, and being very impressed by what I have heard.

Let me give you my ratings system;

16/44 = low-res

24/96 = res // and is comparable in resolution to vinyl.

24/192 = hi-res // superior in resolution to vinyl.

I have to say I like DSD even better than 24/192.

Let's face it; 16/44 is what has kept vinyl alive all these years. It's because vinyl has superior resolution, and thusly sounds better.

I've only ever heard your products at shows. I like them. I was on your site researching your products when I found the quote, which scared me off frankly. Please don't be so snobby that you think I don't know what I'm talking about, because I don't have your DAC in my system. The 16/44 format is limited, and that's all there is to it.

When I say hi-res I mean no upsampling or oversampling from a lower res master copy. I mean a transfer from analog tape to a hi-res format. IMHO the increase in SQ from 16/44 would be real hard to miss.

Here's a free tip. Lift Schitt Audio's idea of using a 20bit ladder dac like the AD5791.

----------------------------------------------------------


Big speakers and little amps blew my mind!

 

RE: I'm tired of people running down Audio Note (UK), posted on August 26, 2015 at 14:19:03
Frihed89
Audiophile

Posts: 15703
Location: Copenhagen
Joined: March 21, 2005
"Touch not the cat BOT the glove", the Clan Mackintosh Motto.

 

RE: I'm tired of people running down Audio Note (UK), posted on August 26, 2015 at 14:24:25
Frihed89
Audiophile

Posts: 15703
Location: Copenhagen
Joined: March 21, 2005
Switching from EI to HiB double C-cores makes a world of difference to my ears. I have heard this on: Meishu vs Meishu Silver, OTO SE vs. OTO SE Signature, Conqueror vs. Conqueror Silver. This step makes everything sound both more real and engaging.

 

RE: May I express my dismay, posted on August 26, 2015 at 14:32:21
Frihed89
Audiophile

Posts: 15703
Location: Copenhagen
Joined: March 21, 2005
Opinions can't be measured, but we can all agree/disagree with one another without being wrong or right (except in our own brains, unless under dictatorship).

 

RE: May I express my dismay, posted on August 26, 2015 at 17:10:42
Mr_Steady
Audiophile

Posts: 2042
Location: North Florida
Joined: August 19, 2014
Frihed I agree with you to an extent. I shouldn't post from work where I'm wound up. It's a hobby, and I don't like hassling anybody, but in a way you said it better yourself;

>"Switching from EI to HiB double C-cores makes a world of difference to my ears. I have heard this on: Meishu vs Meishu Silver, OTO SE vs. OTO SE Signature, Conqueror vs. Conqueror Silver. This step makes everything sound both more real and engaging."

Now what if you a transformer winder, who because of his tool choices can't make a c-core, come on here and say, "There is no benefit to a HiB double C-core."

It would make you wonder right?

I wish Mr. Qvortrup the best of luck with his upcoming dacs. I'm sure they will be very good sounding, and hope we do see some progress, whether it's in a straight line or not.

Jamie


--------------------------------------------------------------
Big speakers and little amps blew my mind!

 

Frankly, for most digital music, yes (IMO)., posted on August 26, 2015 at 18:38:46
jusbe
Audiophile

Posts: 5950
Location: North Island
Joined: April 4, 2000
This is taking into account the remastering market and so on. Where you find a true high-resolution recording chain, then perhaps, with the right high-bit digital playback systems one can do better. But I haven't found these to be that common.

You can't add resolution to a recording made in 16 bit (or less) by resampling it to higher bit rates. Even if one prefers the sound. The added data is an interpolation and made up - added after the event/recording.

If I'm not mistaken, a lot of the music that audiophiles buy was recorded onto analogue reel-to-reel tape. What is the typical S-to-N ration of those classic machines? What is the equivalent audio bit depth? And how about realistic and achievable levels of S-to-N in the home, or perceived dynamic range?

So it is quite valid to assume an alternative approach to fidelity - that of delivering musical digitally with the least amount of computation applied to the data stream as possible, in an effort to retain as much of the original event (and the subtlest audio features) as possible. The more one fiddles with the data stream, the further away one travels from the performance.

Just my experience. [Flame suit on].


Big J

"... only a very few individuals understand as yet that personal salvation is a contradiction in terms."


 

RE: If I may go off on a tangent here., posted on August 27, 2015 at 00:25:40
Peter Qvortrup
Manufacturer

Posts: 940
Location: South of England
Joined: December 8, 2000
Dear G,

Neither Andy Grove or I have seen any change in measurable parameters over time from any of the transformers we have tested, what we have heard is a reduction in the stress of their sound over time, but whatever causes that must happen either at levels that are far below what can be measured or in a realm which we do not know how or what to measure.

Hope this answers.

Sincerely,
Peter Qvortrup

 

RE: House Sound, posted on August 27, 2015 at 00:55:11
Todd Krieger
Audiophile

Posts: 37473
Location: SW United States
Joined: November 2, 2000
"There is nothing duller or less engaging than gear without a distinctive voice."

Disagree here..... I think in a lot of cases, a "house sound" can get tiresome over extended periods..... I'm just not big on noticing a "common signature" with different recordings or different types of music.....

Recordings have a "house sound" too..... DMP and Sheffield come to mind.... In moderation a "house sound" is enjoyable.... But I wouldn't spend an entire night listening exclusively to Sheffields, for the same reason above. Even though the recordings are otherwise top notch.

 

RE: May I express my dismay, posted on August 27, 2015 at 00:59:47
RGA
Reviewer

Posts: 15177
Location: Hong Kong
Joined: August 8, 2001
If it's played back on Audio Note CD players - then yes. And Audio Note and Peter Qvortrup are making those comments based on their "playback" systems comparing the playback of CD through their rigs against the best competition of hi res digital and SACD.

Is it technologically the best format according to measured response? No - but as noted what is technologically the best on the measurements test doesn't mean it provides the best end result. As note SET is technically the worst, Non Oversampling CD players are technically worse than oversampling CD players, etc etc and yet the listening sessions say otherwise. People tend to go from SS to tube. I grew up on CD and moved to vinyl. Although good CD is enjoyable.

I have a pretty excellent computer audio player in the Line Magnetic 502CA and I have plenty of hi res FLAC and other recordings - And it does sound good. But I'd rather listen to them through an AN DAC 3.1 or better still vinyl.

 

RE: You May Express Your Dismay, posted on August 27, 2015 at 01:19:52
Todd Krieger
Audiophile

Posts: 37473
Location: SW United States
Joined: November 2, 2000
"The LP is the only true high rez format, nothing digital can EVER be truly high resolution no matter how tricked up the numbers are."

I listen to high-rez digital, and something about it just sounds "wrong" to me...... I think it's excessive RFI emissions, but as I stated on another board just several hours earlier, there is no unequivocal proof of it.

I think high-resolution digital audio could potentially sound phenomenal.... It's just that I believe it has never been executed well enough.

I once thought CD could never sound good..... If it weren't for my Wadia 7/9 experience back in the early 1990s, I might have ended up being a vinyl-only guy.

 

RE: May I express my dismay, posted on August 27, 2015 at 01:33:44
Todd Krieger
Audiophile

Posts: 37473
Location: SW United States
Joined: November 2, 2000
I think "delusional" wasn't a good choice of words..... I've never heard a computer-based system that I thought was close in performance to a good CD player, but I think the "delusion" is more a frustration in getting satisfying digitally-sourced playback..... For I've believed over 95 percent of CD playback doesn't sound good either. And some people just have not been fortunate to find something in the "good 5 percent"..... Hello computer audio.

Or to say it another way, had the percentage of satisfying CD playback been at least 15 or 20 percent, I don't think computer based audio would have gotten off the ground in the audiophile community. We'd be talking about CDs today like we talked about vinyl when the CD first came out.

 

RE: I'm tired of people running down Audio Note (UK), posted on August 27, 2015 at 02:14:09
Peter Qvortrup
Manufacturer

Posts: 940
Location: South of England
Joined: December 8, 2000
Dear Mac,

And the measurable difference is negligible.

Sincerely,
Peter Qvortrup

 

RE: You May Express Your Dismay, posted on August 27, 2015 at 03:03:14
Peter Qvortrup
Manufacturer

Posts: 940
Location: South of England
Joined: December 8, 2000



Dear Jamie,

I do, certainly based on what I have heard from all the alternative so called higher resolution formats none of which to my ear and in my system (which unsurprisingly is very high level all Audio Note) DSD and every other supposedly higher resolution system and I have had the opportunity to try most of them come close to the best I get from Redbook, one of the "perks" of my job I suppose you could say, or perhaps a curse?

One of the most experienced technical reviewers, Martin Colloms wrote this in his review of our top level (Level Six) CD transport and DAC, complete review here,

http://www.audionote.co.uk/articles/Audionote_CDT6-Dac_5_complete.pdf

"Sound Quality

As those who know me are well aware, I am rarely
lost for words, but in this case it was some time
before I dared commit my thoughts to paper. Value
for money is inevitably an element in the balancing
and weighing up processes of any appraisal, and
was clearly going to be a significant factor here. Yet
during each listening session - and there were many
considerations of value simply went right out of
the window.
The sound quality was consistently overwhelming,
almost defying critical opinion, constantly
demanding ones attention with the beautiful sounds
it rendered from digital sources. An opinion on a
medium can only be as good as your latest and best
experience: whatever we may have considered was
the limit for CDs Red Book 16-bit/44.1kHz format
and its historic recordings, that barrier has now been
comprehensively overturned."

Martin rated the CDT Six/Fifth Element combination higher than any of the hi-rez formats he had heard, so I/we are not completely alone in our view here.

Our view is that Redbook has the information, but execution across pretty much the entire spectrum of available Redbook products past and present have been badly executed to put it politely.

Having spent the last couple of years or more experimenting with discrete resistor ladder DACs (R2R) what I can confidently say is that Redbook has even further to go, although the improvements possible in the R2R DAC may also benefit some hi-rez.

The picture above shows our unique resistor testing and matching machine which one of our engineers built from scratch last year, it allows us to match up Tantalum, Ni-Chrome and other resistors in a constant temperature environment to the required 0.001% tolerance needed to create the sets of 96 resistors needed in an R2R ladder DAC to get 16Bit.

We are hoping this level of automation of the selection process will allow us to draw down the price of R2R ladder DACs to well below Level Four.

The way our R&D looks so far there is not much point going beyond 16Bit, but there is still some way to go in our work so perhaps I should be careful what I say?

I am curious to know how many different Redbook and Hi-Rez/DSD replay systems you have actually listened to, to get to the conclusions you draw about the order of quality of digital sources, Jusbe makes several good and valid points about "improving" existing digital recordings and knowing how a CD or DSD is derived is not always clear, which further complicates making firm and wide ranging judgements about quality.

May I also remind you that the enormous rise in the sales and interest in the LP really only happened quite some time after Redbook had already started declining, and is, in my opinion, partly at least, a reaction to the paltry quality of what is said to be better quality replacements (read here DSD and Hi-Rez digital sources), so perhaps that is a further illustration that we are not alone in the view that the claims of better are as flaky as I believe they are?

You cannot make a claim as broad and seemingly conclusive as you do about the quality ranking of 16/44 Redbook and Hi-Rez and DSD unless you have tried the widest possible alternatives, and that most certainly includes our DACs and CD transports, it is not a credible claim unless you have.

You say 16/44 is limited and that is of course quite true, in an absolute sense all formats are compromises, I am reminded of a meeting I attended at SONY's technical department in the early 1990's where the "Father of 16Bit", whose name now escapes me, came out of retirement for an interview with a couple of UK journalists; when asked the question what do you use for music at home he proudly announced, "why LP of course!" which prompted the next question "why not CD?" with a big smile he said, "Ah, but digital is for commercial, analogue is for music!"

I asked him about why he had chosen 16Bit and he explained that 16Bit allows for the highest density of data given what is possible to get into the digital domain from an analogue master and mathematically or technically this could not be improved on.

I have always wondered what exactly he meant by this, so a few years ago I asked a customer/friend who is a well-regarded Physicist and mathematician, he shrugged and said he would look into this, several years later he came back and told me that there may actually be some truth in this, as some kind of mathematical "equilibrium" seems to occur around 16Bit 44KHz if you look at sets of complex numbers in 20 - 20kHz set of wave forms, so perhaps there is something in this.

I looked at the data sheet for the AD5791, not very informative, it looks like a DC accurate instrumentation DAC, the AD1865 we use is a multibit 18Bit R2R ladder design, but the discrete 16Bit R2R ladder prototype absolutely obliterates it sonically and I mean makes the already very good DACs in our range sound like a car with a flat tyre, so there is far more going on here than just the bit rate.

I see no real contradiction in your preference for SET and horns and your somewhat confused relationship to digital sources, widen your experience in this area and you may well find yourself in less disagreement with me.

Sincerely,
Peter Qvortrup





 

RE: I'm tired of people running down Audio Note (UK), posted on August 27, 2015 at 06:01:34
lugnut1
Audiophile

Posts: 132
Location: Austin,TX
Joined: September 24, 2011
When I think about all the great tube equipment that was replaced by 1st generation solid state(Mac,Marantz,Fisher, etc), I have to realize that great marketing and creative reviews have sold more gear than great designs, regardless of sound quality.

 

RE: I'm tired of people running down Audio Note (UK), posted on August 27, 2015 at 06:04:17
morricab
Distributor or Rep

Posts: 9321
Location: switzerland
Joined: April 1, 2005
Perhaps it is not the same quality but let's take a simple example.

Your HiB C core is using laminations from grain oriented silicon steel, yes? What thickness are those laminations? 0.35mm? 0.2mm? Less? What else would set it apart from others of simliar materials? Vacuum impregnation of resins? Copper wire choice? OFC? 6N? Choice of insulation materials? teflon? paper and wax?

I can get a pair of Double C core preamp output transformers for a 6n6P output tube using Nanocrystalline Si Steel laminations 0.18mm thick with OFC wire and teflon insulation for about $700 a pair. A similar grade preamp OPT from you is double that price or am I mistaken. I can get similar massive OPT for my parallel 6C33C amp for $1400 a pair with the same quality laminations, wire and insulation. Do they sound better than yours? No idea, just saying from a materials POV they must be pretty similar.

I realize silver is expensive (much less so at the moment...only $14 an ounce) but is it really 6 or 7 times the price of copper? IMO, 3N Silver is not pure enough...I would like to see at least 4N.

Don't get me wrong it is possible your costs are justified but at least from the advertising there are better prices to be had for simliar basic specs.

 

RE: I'm tired of people running down Audio Note (UK), posted on August 27, 2015 at 06:10:41
morricab
Distributor or Rep

Posts: 9321
Location: switzerland
Joined: April 1, 2005
Aren't there measureable loss differences? From what I have read C cores are about 20% more efficient than the equivalent EI core...this should be pretty measureable.

I have an amp with nice output transformers using big double C cores from JJ (the amp, the JJ 322 is a true sleeper in its sound quality). The output iron is GOSS with laminations only about 0.13-0.15 thick. All made in-house by those former Soviet Block guys (same for the caps). Bass is right up there with the best tube amps I have heard (different in quality from SS so no comparison there really). Extension is good, down 1db at 35Khz. Clarity is just higher than what I hear with similar amps that use EI transformers.

 

RE: I'm tired of people running down Audio Note (UK), posted on August 27, 2015 at 06:27:17
Peter Qvortrup
Manufacturer

Posts: 940
Location: South of England
Joined: December 8, 2000
Dear Morricab,

There are, but the frequency response, power output etc. are not much different and certainly not different enough to explain the enormous difference in sound, which is what I meant.

Sincerely,
Peter Qvortrup

 

RE: If I may go off on a tangent here., posted on August 27, 2015 at 07:52:34
Garg0yle
Audiophile

Posts: 859
Joined: December 1, 2014
Thank you.
△This message will self destruct in 10 seconds△

 

RE: I'm Tired of People Making Claims They Cannot Substantiate or Are Plain Wrong., posted on August 27, 2015 at 07:53:48
Peter Qvortrup
Manufacturer

Posts: 940
Location: South of England
Joined: December 8, 2000
Dear Morricab,

I am not sure whether I should laugh or cry here, your assumptions are so broad and poorly based it is hard to know where to start.

You said it yourself, you do not know whether the transformers you mention are better or worse than ours, does that not say it all?

For example, what is the step down ratio of this 6H6P output transformer?

Ours is 33:1 which makes it hard to wind for example.

A 6C33C is very low impedance indirectly heated triode, which makes the transformer far easier to make, lower turns ratio, thicker wire, etc. so it is hardly a good comparison either.

At the end of the day things cost what they cost to make and companies need to make a profit, enough profit to stay in business to offer back up service, warranty etc. to its customers, if you sell too cheap, you do not stay in business for long, the audio industry is littered with the corpses of companies who set out to sell cheaper.

4N, 5N or whatever is NOT possible in the real world, when you buy the material it is 99.99%, but by the time it has been subjected to the atmosphere, especially during drawing process it will have oxidized enough to drop to 99.9%, to prevent this you would have to draw in a vacuum, which some companies offer, but that comes at a very serious price premium and is totally unnecessary for audio applications.

I reiterate what I have already said, you do not have the first idea about what it costs to make silver wire insulated for high voltage applications, here is why.

So silver is 6 to 7 times the price of copper is it?

Copper at today's London Metal Exchange price costs $ 4,958.00 a tonne cash, there is 35,274 ounces in a tonne, so if silver is $ 14.00 an ounce (and may I say here that it is cheap at the moment, it was $ 20-25 an ounce not so terribly long ago) then it would cost $ 493,836.00 a tonne, I think even you can work out that this makes silver close to 100 times the price of copper would it not?

Add to that the cost of drawing small quantities of specialist wire (copper wire is drawn by the hundreds of tonnes) by a company that also has to make a profit, then you get closer to the reality of what silver wire actually costs.

Now I would say that that discrepancy just based on material costs makes your assertions pretty worthless, wouldn't you?

As an aside Tangos transformers are pretty expensive, but I have never seen anyone complain about them the way they do with ours, which I find interesting.

By your own admission you have not compared our transformers to the ones you claim are similar but cheaper, so if I offered you a $ 100K bet they are not would you take it?

Consider what not taking it would do to your credibility and perceived "wisdom" and "advice"?

I look forward to you taking my wager.

Sincerely,
Peter Qvortrup


 

"in a lot of cases, a "house sound" can get tiresome over extended periods.", posted on August 27, 2015 at 09:20:15
Bob Neill
Dealer

Posts: 2957
Location: New England
Joined: October 1, 1999
Of course. But in the few best cases, it is the reason we love them.

 

RE: You May Express Your Dismay, posted on August 27, 2015 at 11:26:47
LinuxGuru
Audiophile

Posts: 582
Location: European Union
Joined: November 11, 2008
As the marketing company Audio Note definitely excels, hats off, there are very few enterprises which can extort so much cash & profit from mythology around quite ancient and primitive technology.

If people are willing to pay premium price there is nothing wrong with it, its a free market economy after all.

One can see a horde of snake oil companies on tiny niche of audiophile market, AN at least have something more then megabuck cables blessed with nanotech and blood of innocent virgins, cut off from raw material in a garage.

As engineer and programmer I'm quite indifferent to AN claims of superiority, I'm not aficionado of SET and vinyl after all, however, Audio Note's brilliant marketing strategy and execution certainly worth respect.

 

RE: I'm tired of people running down Audio Note (UK), posted on August 27, 2015 at 13:03:56
Yes Peter, i not say what the best quality cores are and it makes not so much sense to tell because it depends on the deisgn.
I can see you are not a designer but a salesman. You try to say that is all about sound but you forget that physics and other technicians did all the work....

Lets focus on some AN transformers and why i think it is about sales techniques and not about (audio) quality.
The AN c-cores can be bought for SE and PSE and they have the same dimensions.Really? As a designer i can tell you that it whould have a hugh effect and the (technical)performance (and so also on sound) there is no possiblity to get the same quality without getting worse low frequancy bandwith or copperloss. So bad designs.

It is also possible to change the cores for a Permalloy core. Permalloy (any permalloy) has a much lower maximum extitation leven, typical 1,5T (50-55%) versus 2T for HiB. You can not do such a change without doing a compromis. Low frequancy reponse will be less good or less power or higher copperloss. Again not the best design

You can not compare such transformers

Because the models are mostly SE models we should remember that there is always a magneticfield active. Hysteresis differance will be highly reduced, permeabilty will be in all cases low because of the airgap.

There is no manufacture who makes super HiB or Ultra HiB or whatever you name the material AN uses. This is salesman peptalk.


I am just a hobby winder. I am not saying the AN transformers are bad, but they also not special and absoluty overpriced.

 

I will refrain from negativity here... I hold Martin Colloms in the highest esteem, a man of integrity~nT, posted on August 27, 2015 at 13:59:11
Cleantimestream
Audiophile

Posts: 7608
Location: Kentucky
Joined: June 30, 2005
~!
The Mind has No Firewall~ U.S. Army War College.

 

RE: You May Express Your Dismay, posted on August 27, 2015 at 20:01:22
Mr_Steady
Audiophile

Posts: 2042
Location: North Florida
Joined: August 19, 2014
Peter,

I found the following in Mr. Colloms' article;

>" The Fifth Element DAC was just the same, here fed from a variety of S/PDIF sources up to 24-bit 96kHz, and it was able to read much of the higher sound quality of HD programme. (Note that it truncates words to 18-bit resolution, and the mute relay rattles helplessly with still higher sample rates.) Two extra bits and a doubled sample rate were easy to hear, which testifies to the very high quality of the DAC interface."

>"Tracks with less resolution indeed sounded less well resolved"

>"However, when streaming the few 24/96 tracks available, there was now sufficient advantage to leapfrog the CD drive's 'Red Book' performance. Now the Fifth Element DAC showed gloriously just how much more transparency, detail, openness and image scale could be generated from the higher resolution format, notwithstanding that the DAC only has an 18-bit non-oversampled chip (though admittedly a very good sounding one)."

I agree with Mr. Collom. Two extra bits and a doubled sample rate are easy to hear. I would go further and say; two more bits and double the sample rate again, and that will be easy to hear too. I also think it would sound better. All else being equal. YMMV.

>"The way our R&D looks so far there is not much point going beyond 16Bit"

I'm sorry to hear that. Well if the hi-res download market takes off over the next five years, or maybe you finish current projects, you might take another look at it.

You are telling me that AN is building a discreet 16 bit dac out of normal sized resistors? That is crazy insane, and I mean that in a good way. Best of luck to you on it. I would love to hear one, and I hope the guys who can afford them enjoy them. I think that is a very cool idea.

I think the vinyl revival was a reaction to Mp3s dominating mass music. The hi-res market is really just getting starting this year. I've been waiting a long while for the hi-res source material to show up, and it finally has. I think in five or ten years you will see it more.

>"You cannot make a claim as broad and seemingly conclusive as you do about the quality ranking of 16/44 Redbook and Hi-Rez and DSD unless you have tried the widest possible alternatives."

Why not? One good turntable is all you need to know a lot about records. Frihed got to state his observations about what he heard, and so do I, and so do you. You have shown that you really do believe in 16bit. I take back what I said about your ad copy being full of crap. I think the only disagreement we have is whether a higher bit depth and sample rate can add to sound quality.

All my sweeping pronouncements are made from hearing only one hi-res player, but it's a good one. The Sony HAP-Z1ES. Laugh if you want to, it's a fine DSD player. Interestingly it upsamples and converts 16/44 to DSD 64. It sounds really good that way. Yes I know it has a delta sigma dac, but it has to. It beats my vinyl rig, and I never thought I would be saying that. Feel free to use it as a benchmark against your own products. It's my first baby step into digital audio that doesn't involve a CD. There will be others, but for now I'm enjoying it, and building up my hi-res collection. There's an AN DAC3something on Agon now, and there will be others.

Linked below is a video about the AD5791. It seemed to have a lot of information.

Have a good one,

Jamie


---------------------------------------------------------


Big speakers and little amps blew my mind!

 

RE: Frankly, for most digital music, yes (IMO)., posted on August 27, 2015 at 20:08:54
Mr_Steady
Audiophile

Posts: 2042
Location: North Florida
Joined: August 19, 2014
Hey Big J,

I hear what you're saying. Still the Rolling Stones "Let it Bleed" in DSD sounds awesome. Like it's the master tape. That's not hyperbole.

For releases recorded more recently. The Beck albums on DSD and 24/192 sound incredible. I would love to know how they were recorded. I've never heard that kind of resolution come out of my speakers before, ever. YMMV.



-----------------------------------------------------
Big speakers and little amps blew my mind!

 

RE: May I express my dismay, posted on August 27, 2015 at 20:10:17
Mr_Steady
Audiophile

Posts: 2042
Location: North Florida
Joined: August 19, 2014
Okay, fair enough.



-------------------------------------------------------
Big speakers and little amps blew my mind!

 

RE: May I express my dismay, posted on August 27, 2015 at 20:29:15
Mr_Steady
Audiophile

Posts: 2042
Location: North Florida
Joined: August 19, 2014
Look at the bright side Todd. If the record companies support hi-res, because the get to sell everything all over again, well they might do a decent job of remastering it while they are at it, or maybe not. :(



------------------------------------------------------------
Big speakers and little amps blew my mind!

 

I don't see much AN advertising these days, posted on August 27, 2015 at 20:36:21
Frihed89
Audiophile

Posts: 15703
Location: Copenhagen
Joined: March 21, 2005
I don't look at many audio rags, but with a few minor exceptions i haven't seen much advertising lately, at least not in the English-speaking press.

There are some social media AN sites, but they are also pretty thin on marketing and much of the "boosting" isn't in English.

I gather AN does sell a lot of equipment outside of the US, in Eastern Europe and Asia. So, I guess they have a global marketing strategy.

Their web-page could use a lot of updating, that's for sure.

The reason I started this thread was to add a plug for the high audio quality of their lower-priced gear that I have heard, which is pretty much ignored, here and on other forums i am a member of, although it does get good coverage in show reports, as a rule.

 

To get back on track..., posted on August 27, 2015 at 22:01:08
R Browne
Audiophile

Posts: 1714
Location: So. Cal.
Joined: January 14, 2002
I can only relate my own Audio Note experience, which started in 1995 when I purchased a M1 pre-amp and P2 SE amp (Level 2 products I believe). Within a couple of years I added a pair of AN/J speakers and a CD2 disc player along with interconnects and speaker cable. I was very happy with this musically satisfying setup for 15 years or so.

Due to a reversal of fortune accompanied by a fit of madness I decided to sell my most of my AN gear. This was the single biggest mistake I made in audio and one I regret. Unfortunately I will probably not have the chance to revisit owning an AN system, but I certainly enjoyed my time with it when I did have one.

The bottom line is this: Even at the lower levels of hierarchy Audio Note gear is of excellent quality and was a very good value to me during my time of ownership. One thing I might add is that all the AN gear I owned never had any problems. Very well made and reliable.

 

RE: I'm tired of people running down Audio Note (UK), posted on August 27, 2015 at 23:37:40
Donald North
Manufacturer

Posts: 1296
Joined: February 8, 2001
You say AN transformers are not special - have you bought any of their dearer models to try? I have and use them exclusively in my plate choke loaded and output transformer coupled tube phono stage, for example. They're also fitted throughout my 2A3 amplifiers of their manufacture. Their transformers have audible resolving capabilities which I have not heard from other manufacturers and for what it's worth, their test bench performance can be extraordinary, as observed with my AP.

 

RE: I'm Tired of People Making Claims They Cannot Substantiate or Are Plain Wrong., posted on August 28, 2015 at 01:30:03
morricab
Distributor or Rep

Posts: 9321
Location: switzerland
Joined: April 1, 2005
It seems you have overreacted to my error in the pricing of Silver vs. Copper. Let me first offer a Mea Cupla for my incorrect statments on the price of the material. I usually look things up before writing...this time I did not. However, you will agree that highly purified copper is SIGNIFICANTLY more expensive than bulk copper prices, whereas bulk Silver is always at least 3N pure. That will close the 100:1 gap considerably I would argue. The Ohno continuous cast copper is probably with the factor range I offered before.

"your assumptions are so broad "

Whereas I wrote: "Your HiB C core is using laminations from grain oriented silicon steel, yes? What thickness are those laminations? 0.35mm? 0.2mm? Less? What else would set it apart from others of simliar materials? Vacuum impregnation of resins? Copper wire choice? OFC? 6N? Choice of insulation materials? teflon? paper and wax?
"

I actually just asked you a lot of questions, none of with you answered, BTW.

Actually I didn't make a lot of assumptions. In addtion, I gave you a very concrete example of an actual product. BTW. the turns ratio of said product is 5.6:1.

"Ours is 33:1 which makes it hard to wind for example."

Your website lists two types of preamp transformers and the other is 5:1 and they cost the same. Why is that if 33:1 is so much harder to wind?

TRANS-011/01-A T011-1-I-IAPT-F As above Copper AN Improved HiB As above 5 : 1 £ 353.60
TRANS-011/01-AS T011-1-S-IAPTIAPT-F As above Copper AN Super HiB As above 5 : 1 £ 424.00
TRANS-011/01-AN T011-1-U-IAPTIAPT-F As above Copper AN Ultra HiB As above 5 : 1 £ 635.20

Note that many of my questions are not answered by the very limited information you have here. What are the lamination thicknesses of the different grades? Is this defined somewhere? What grade of copper is used in the windings? What insulation?

"Copper at today's London Metal Exchange price costs $ 4,958.00 a tonne cash, there is 35,274 ounces in a tonne, so if silver is $ 14.00 an ounce (and may I say here that it is cheap at the moment, it was $ 20-25 an ounce not so terribly long ago) then it would cost $ 493,836.00 a tonne, I think even you can work out that this makes silver close to 100 times the price of copper would it not?
"

Again, only assuming that the grade of copper and silver here are equivalent and for audio it is well known that higher grades of copper matter and also cost a lot more money.

"Now I would say that that discrepancy just based on material costs makes your assertions pretty worthless, wouldn't you?
"

No, because you use copper in the lower versions (I won't discuss silver further) and from what I can tell, Grain oriented Silicon steel of a certain grade and thickness (both so far undisclosed) and what I have found is a very high grade of Silicon steel with pretty thin (not the thinnest though) laminations using high quality copper and insulation materials. So, discrepancy based on materials costs are fully warranted for a discussion here. The price difference is nearly 50% and one might argue that the ones I have found use better materials than are in your bottom model.

"As an aside Tangos transformers are pretty expensive, but I have never seen anyone complain about them the way they do with ours, which I find interesting.
"

Don't know, just know they aren't available anymore. Still, I think they were cheaper than your upper (copper) models.

"By your own admission you have not compared our transformers to the ones you claim are similar but cheaper, so if I offered you a $ 100K bet they are not would you take it?
"

Are you offering me a $100K bet? Be careful what you offer. I see no reason for you to make such an unfriendly wager (if you bet me a beer or something I would regard that as friendly...$100K is most aggressive and arrogant and decidedly unfriendly).

"Consider what not taking it would do to your credibility and perceived "wisdom" and "advice"?"

Again with the arrogance. You are obviously trying to bait me so I won't rise to the bait.

The reason is simple: I have never claimed sonic superiority for EITHER of the premap transformers in question so there is nothing to bet. It has no impact whatsoever on my credibility and perceived "wisdom" and "advice". I simply questioned (yes questioned not accused) your material costs in light of what I have found elsewhere. Those elsewheres also claim high grade materials and advanced techniques. Obviously listening is the final arbiter but I was not even approaching that subject.

It's sad that you want to degenerate into something so crass. It would have been much nicer of you to say something like: "I can see where you are coming from but rest assured our transformers sound better and I can prove it to you"...or some such thing.

Truth of the matter is I like your design philosophy. I have a zero negative feedback system based on SET amplification, tube DAC (not a NOS DAC but a true ladder dac with only tubes in the circuit) without feedback, an all tube (including power supply) phono preamp and preamp.

I have been impressed with some of your amps but I have to admit not your speakers, which I find do not sound not free like a good planar or horn speaker. I have heard several models now at the local AN dealer. The DACs, I have heard up to level 4, are good but somehow not my cuppa.

Your amps though I think are special. I really enjoyed a pair of P4s a few years ago and am really tempted to try an Oto SE signature (can't really afford your upper models with the silver trafos) or Conquest Silver SIg.

 

RE: May I express my dismay, posted on August 28, 2015 at 01:33:48
Todd Krieger
Audiophile

Posts: 37473
Location: SW United States
Joined: November 2, 2000
"If the record companies support hi-res, because the get to sell everything all over again, well they might do a decent job of remastering it while they are at it, or maybe not. :("

I've never heard a high-rez rig where I could confidently say "this is a great recording"..... The playback itself clouds my perception a good recording relative to a not-so-good recording.

Now the problem above could be that there are not many good recordings..... The playback rig might actually be OK, but the recordings are the problem. I don't know.

Even with CD, if I listened to an unfamiliar disc on an unfamiliar rig, I wouldn't be able to tell whether the sonic problems I was hearing were from the recording or from the playback device. Most likely a combination of the two.

 

RE: I'm Tired! But It Is Weekend Soon., posted on August 28, 2015 at 07:17:53
Peter Qvortrup
Manufacturer

Posts: 940
Location: South of England
Joined: December 8, 2000
Dear Morricab,

Possibly, but you have got to admit it is/was a pretty serious discrepancy.

Now to answer your questions,

1.) Lamination thickness of all our HiB cores is 0.23mm, the SHiB and UHiB are available in 0.1 mm as well, but we have to buy several tonnes of each grade, and so far we have not found a suitable use for the thinner material where it was a worthwhile investment, it is pretty expensive approaching the cost of Nickel.

We use Japanese HiB materials, as their production quality, consistency and processing is far superior to any other source of similar specified materials, for example the US version of the UHiB, Z material I think they call it, is no better than the Japanese IHiB once processed and the same price as the Japanese UHiB, so it is an easy choice.

Except for the IHiB material which is heat treated by the processor, all our other HiB cores are sent to Germany for heat treatment, which adds to cost considerably, but which also improves the low level linearity considerably, this is most important in an audio application where signal levels start at zero.

2.) Pretty much all copper wire made now is classed as oxygen free, 30 - 40 years ago this was not the case, but modern refining and manufacturing methods combined with vast production quantities have brought 99% of the copper wire to this high standard, it is still possible to buy even better, Hitashi for example (again Japanese!), but having tried these wires we cannot hear any improvement either in our cables or transformers so we do not use them as it is not cost efficient.

3.) Nanochrystalline is as you say a steel material, and on paper a very high quality one, however, there are several problems with this material when used in audio output transformers as it is not really designed or intended for audio frequency use, wherefore there are major issues with flux density at low frequencies, we have a number of Nanochrystalline c-cores from various sources and we have found that after some time the material starts developing lots of small stress fractures in each layer of the lams in a c-core (you can actually see some of these on the surface of the cut on some cores) and this causes a further deterioration in performance across the audio band, there are other issues as well, but I cannot find the detailed internal report we wrote 2 - 3 years ago when we tested the various samples we bought, damn computers!

These issues make this material less suitable for audio transformers in our view, in spite of impressive specifications on paper.

I agree it is a material that has potential and we have samples of a couple of the most recently developed Nanochrystalline cores on the way, so it is possible some of our reservations will disappear, we shall see.

So your statement below,

"No, because you use copper in the lower versions (I won't discuss silver further) and from what I can tell, Grain oriented Silicon steel of a certain grade and thickness (both so far undisclosed) and what I have found is a very high grade of Silicon steel with pretty thin (not the thinnest though) laminations using high quality copper and insulation materials. So, discrepancy based on materials costs are fully warranted for a discussion here. The price difference is nearly 50% and one might argue that the ones I have found use better materials than are in your bottom model."

Well you may and you may not and to me that is the problem, because you cannot really make a comment on a price comparison without also making it look like you are comparing like for like, at least that is the impression that people reading it will be left with, especially given the opening premise that what we make is too expensive.

Copper wire, again,

Copper wires are standard off the shelf items available from a range of suppliers, so I suspect that the copper used in our lower range and the copper used in your transformers is largely the same, given the type of supply chain that exists in our brave new globalized market, it is close to impossible to know exactly where, and by who, the copper wire you buy is actually made, so unless you buy it in bulk directly from the manufacturer, which in spite of using several tonnes of wire a year even we don't, I think it is safe to assume that whoever makes the transformers you refer to use what we use, or something very similar.

Now briefly back to the cost of silver wire,

I would say that the ratio between the cost of silver and copper wire is actually probably closer to 120x to 150x, as only recently silver was costing $ 16.00 - $ 22.00 an ounce and copper less than $ 6,000.00 a tonne, in addition, as I also mentioned in my earlier post, there is a huge difference in the manufacturing cost of silver and copper wire, one, silver, is made in very small quantities of perhaps 5 to 25 kilograms (there are good reasons why Hudson Wire, a huge US based wire manufacturer called the division that made their silver, platinum, gold and other scientific wires Hudson Specialty Wire) , with specific insulation (Polyurethane, ML, HML or Polyesteramide, depending on what the wire will be used for, how thick or thin gauge the wire is and whether for use in high or low voltage applications) and copper is drawn on huge machines by the tonne and lacquered (a process not available to small scale wire manufacture), I know you do not wish to discuss the cost of silver wire, but I think it is relevant regardless in view of what you say above.

Now whether the material in your transformers is better is a matter for debate given point 3.) above, in addition there are a number of grades of nanochrystalline material and some are decidedly not very good for audio applications, and if the price you paid is correct then it is more than likely that it is a grade material used in bulk for reactors, suppressors or DC inductors which would make it less expensive, but also not as good as our IHiB, but without analyzing the material it is impossible to say.

So don't just assume that because the makers of your transformers say it is an expensive material, then it is (they may not even know the difference) so what you say is that you do not believe us, but why do you not apply the same critical sense to them? It is easy to make claims, it costs very little and if a cheap price makes customers less likely to question the claims all the better.

Insulation is a many varied subject,

We mainly use Nomex as insulation in our output transformers, although in some applications we use Kraft paper, if it sounds better (yes we even listen to different types of paper).

Why is a 33:1 ratio more expensive to make than a 5:1?

To get the much higher step down ratio you have to use huge numbers of windings of very thin wire (in this case I think it is 0.132mm) they have to be perfectly aligned in each section otherwise there will be air pockets within and between the sections which strongly affects the performance and there are normally more sections as well, all this takes a lot of time and effort (the insulation has to be cut to width and wound on by hand and taped) the more sections the longer the manufacturing time.

Now you may ask why are our 5:1 transformers the same price then?

Well simple really, we make hundreds of 33:1 output transformers, as they are used in all our pre-amplifiers, but only small numbers of the TRANS-011, so what you pay for there is setting up the machine with different wires, readjusting the tensioners etc.

I believe I have covered the issues of copper to silver wire cost in sufficient detail now.

If you have ever sat next to me in one of my faster cars, on a German motorway you will know that I am not very careful! It could also be argued that trying to build a long term business in an industry as fickle and notoriously unstable as the audio industry is also a sign of severe carelessness so don't be too surprised, but I do agree it was not a very friendly gesture and for that I should apologise, and I do!

I am glad we have at least inspired you, that is actually a key part of my raison d'etre for being in audio, not everything in life is about money (although with the trend towards markets for everything, or neoliberalism, that is clearly changing, sadly), it is a legacy I would like to pass on.

Speakers, I actually find it quite strange that you find them less free than planars or horns, but that is perhaps a discussion over a drink at the show in Zurich?

Sincerely,
Peter Qvortrup



 

RE: I'm tired of people running down Audio Note (UK), posted on August 28, 2015 at 07:55:49
Peter Qvortrup
Manufacturer

Posts: 940
Location: South of England
Joined: December 8, 2000
Dear Mr. 572,

We are talking audio designs here, so i think it is possible to say which is better sonically.

You are quite right I am not an engineer, but I have access to an engineer who is the premier expert in the field, so I shall consult him after the long weekend, he will most certainly be able to put you right.

At the end of the day, it matters little what the physics says if the end result sounds poor, or are the measurements still more important?

In your view they clearly are.

On the subject of "bad" in your final paragraph you say,

"I am just a hobby winder. I am not saying the AN transformers are bad, but they also not special and absoluty overpriced."

But above that you clearly state they are bad designs, see,

The AN c-cores can be bought for SE and PSE and they have the same dimensions.Really? As a designer i can tell you that it whould have a hugh effect and the (technical)performance (and so also on sound) there is no possiblity to get the same quality without getting worse low frequancy bandwith or copperloss. So bad designs.

Given that you have never tried one of these transformers, perhaps it is your knowledge that is limited and not the transformers?

We have many different sizes of C-cores, 29, 78, 120, 196, 248, 638 and one or two more, so our transformers are made in a much wider range than what is shown on the web site, 80% of the transformers used in our products are not for sale as parts at all.

The naming of the cores is to distinguish their performance, some of which relates to the type of MO material used and some to the heat treatment the better versions get, all of which is proprietary to Audio Note, so I am not surprised that you cannot find them in any catalogue.

I look forward to an amusing exchange next week between you and Andy Grove.

Have a fine weekend, where ever you are.

Sincerely,
Peter

 

RE: I'm tired of people running down Audio Note (UK), posted on August 28, 2015 at 08:43:58
Peter,

If you not understand the physics behind transformers then stop giving stupid answers as that my knowledge is limited.

My examples are based on the products on the AN diy-componentsite.
I mean not bad sounding but bad designed in some cases because the core demension are still the same. Your designer do understand the physic laws behind it i hope.....

 

RE: I'm tired of people running down Audio Note (UK), posted on August 28, 2015 at 08:51:48
For people who are interested in a company that really knows how to make good core material and do give decent datasheet:

http://www.nssmc.com/product/catalog_download/pdf/D004je.pdf

Or a nice hightech German manufacure:
http://www.vacuumschmelze.com/en/products/materials-parts/soft-magnetic.html

 

RE: I'm tired of people running down Audio Note (UK), posted on August 28, 2015 at 09:06:47
Donald North
Manufacturer

Posts: 1296
Joined: February 8, 2001
Given the similar yet substantial size of their TRANS-300 SE and TRANS-305 1.25k PSE output transformers, Have you considered that perhaps they may not be operating them near the saturation point of the cores?

 

RE: I'm tired of people running down Audio Note (UK), posted on August 28, 2015 at 09:16:12



And for people who like to know how much a very very nice HiB core will cost.
A big SE transformer SG 108/51 core cost about $51,- (without tax, costums but with shipment wordwide)




 

RE: I'm tired of people running down Audio Note (UK), posted on August 28, 2015 at 09:21:06
The workpoint can be different (0,4; 0,7 or 0,9T or whatever the designer likes) but it can't change the physic laws.
So twice the power and the same core as AN dos will always give something in return you don't like.

Changing core materials can have also such effects if max saturation point is less.

 

RE: House Sound, posted on August 28, 2015 at 15:34:49
Tre'
Industry Professional

Posts: 17954
Location: So. Cal.
Joined: February 9, 2002
I agree.

A playback system should be as neutral as possible.

Every recording played should sound different.

There is no reason for them not to.

Different players, different studio, different recording equipment, different mics, different engineer, etc...

A playback system with a "house sound" will diminish the differences in recordings.....and that's a bad thing IMO.

Tre'




Have Fun and Enjoy the Music
"Still Working the Problem"

 

RE: House Sound, posted on August 28, 2015 at 17:57:00
Wojciech
Audiophile

Posts: 5401
Joined: June 23, 2009
If you read P.Q prose he actually stresses that very thing . System which differentiate more is a better one.

 

Speaking of which, Peter,, posted on August 28, 2015 at 22:12:28
jusbe
Audiophile

Posts: 5950
Location: North Island
Joined: April 4, 2000
when are we going to see these new DACs? :^)


Big J

"... only a very few individuals understand as yet that personal salvation is a contradiction in terms."


 

RE: Speaking of which, Peter,, posted on August 28, 2015 at 23:12:36
Garg0yle
Audiophile

Posts: 859
Joined: December 1, 2014
I'll show you my DAC right now if you want, although it's probably not as nice as Peter's DAC.


△This message will self destruct in 10 seconds△

 

RE: Speaking of which, Peter,, posted on August 29, 2015 at 02:33:23
box
Audiophile

Posts: 20
Location: sydney australia
Joined: March 4, 2010
Peter's resistor ladder DAC may look like the love child of Mary Shelley but the sound would leave anyone breathless. My experience was in June so maybe it has been prettied up by now, but irrespective, the sound is all that matters.

 

RE: Speaking of which, Peter,, posted on August 29, 2015 at 03:40:09
jusbe
Audiophile

Posts: 5950
Location: North Island
Joined: April 4, 2000
Where did you hear it, if I may ask, box?

And do you run an Audio Note system?


Big J

"... only a very few individuals understand as yet that personal salvation is a contradiction in terms."


 

RE: Speaking of which, Peter,, posted on August 29, 2015 at 04:23:35
box
Audiophile

Posts: 20
Location: sydney australia
Joined: March 4, 2010
Peter's music room in Hove and yes, I drank the Audio Note koolaid 20 years ago.

 

RE: You May Express Your Dismay, posted on August 29, 2015 at 09:36:22
Tre'
Industry Professional

Posts: 17954
Location: So. Cal.
Joined: February 9, 2002
Peter, what's the "sampling rate" of a Ampex MM1200 2" 24 track analog tape deck?

And what's the "bit rate" of the best tape?

Tre'
Have Fun and Enjoy the Music
"Still Working the Problem"

 

RE: House Sound, posted on August 29, 2015 at 11:32:37
Bob Neill
Dealer

Posts: 2957
Location: New England
Joined: October 1, 1999
Of course, as I wrote above, no one in Peter's (or or Andy Grove's or Jean Claude's or Gilbert Yeung's or Peter More's or Miguel Herrero's) position thinks he has a house sound. Their gear has the sound of music as they hear it. And yes, all of these folks design speakers than can distinguish among recordings. And yet they all sound different from one another. Let's not oversimplify this by imagining the most obvious and egregious cases. Lines of gear designed by great designers have distinctive sounds. And yes, unless you have a technocrat's view of the word, they are all accurate in their different ways.

 

Those were serious questions, posted on August 29, 2015 at 12:10:59
Tre'
Industry Professional

Posts: 17954
Location: So. Cal.
Joined: February 9, 2002
The bias frequency will, like sample rate, limit and determine the FR and the size of the oxide particles of the tape, like the word length of a digital system, will determine the resolution of the volume steps.

If one can quantify those numbers and then make sure that the digital system meets or exceeds them then you can stop blaming digital.

Tre'


Have Fun and Enjoy the Music
"Still Working the Problem"

 

Ahh,, posted on August 29, 2015 at 12:22:46
jusbe
Audiophile

Posts: 5950
Location: North Island
Joined: April 4, 2000
he was kind enough to invite me there once,as we used to live nearby. Spectacular record collection. Beautiful sound. Nice tea.

What system are you running, out of curiosity?


Big J

"... only a very few individuals understand as yet that personal salvation is a contradiction in terms."


 

RE: I'm Tired! But It Is Weekend Soon., posted on August 29, 2015 at 13:45:06
morricab
Distributor or Rep

Posts: 9321
Location: switzerland
Joined: April 1, 2005
Thanks for the most enlightening and reasonable discussion. Thanks for taking the time for such a reply as well as the apology.

I would be my pleasure if we can meet at the show in October (that is the one you mean, right?). I will have some of my hifi friends along as well, one of which is a Dutch guy who is a most sensitive listener.

Just so your realize, I am not taking all the claims of this other vendor at face value, which is why I have been asking a lot of questions. It does seem good but I don't have any particular reason to trust them even though they do see pretty knowledgeable and claim to have been doing this for a long time as well. I haven't bought from them yet because without a strong reputation I have to buy purely as an experiment...a somewhat expensive experiment, IMO.

Alas, experience is not everything...some talent and sensitivity for what one is doing is definitely required to get the best out of something.

I have a faster car as well, a Lotus Europa S (Lotus only made about 500 of them) to be more exact. Not a rocketship but wonderful through the twisty Swiss mountain passes.

I don't know what to tell you regarding your speakers...I simply have yet to hear them inspire me in the same way as when I heard my first electrostatic speaker or a really top notch horn. I remember a show when I first heard the Apogee Grand in 1993 in Chicago. I was gobsmacked. Later I heard STAX ELSF81s and was gobsmacked. Many years later I heard a pair of Odeon No. 32 with an all Einstein setup and my friend who was with me was utterly gobsmacked and I was mildly so...now having been exposed to much higher end gear it was a milder effect than the first such experiences. Now I have Odeon horns and they are really darn good.

So, if you are at the show in October then I would like to have that beer and you can maybe even hear my humble system if you want (I live only about 300 meters from the Movenpick Hotel where the show will be).




 

RE: I'm Tired! But It Is Weekend Soon., posted on August 29, 2015 at 15:07:47
A.Wayne
Audiophile

Posts: 2527
Location: Front row center
Joined: November 30, 2011
Europa S , that one had the Lotus head with Dellortos or SU head ..? You must be a wee fellah to get into a Europa ..

 

RE: I'm Tired! But It Is Weekend Soon., posted on August 30, 2015 at 03:21:09
morricab
Distributor or Rep

Posts: 9321
Location: switzerland
Joined: April 1, 2005
It is not an old Europa from the 60s/70s but from 2006 and no I am not a wee fellow... I am 6'4 (193 cm) and I fit like a glove ;-) It has a 2 liter turbo from Vauxhall, which is pretty much bulletproof.

 

RE: You May Express Your Dismay, posted on September 2, 2015 at 02:06:49
tube wrangler
Manufacturer

Posts: 2492
Location: USA
Joined: January 29, 2007
Hello, Peter!

Any chance you might make it to Denver-- RMAF 2015? I might be found hiding out in Room 418 at times.....

I'm pretty much in agreement with you on your digital, and especially, Redbook's potential. Every once in a while, I find a Redbook recording that is musically stunning-- accurate presence, detail, correct tonal colors and splendidly accurate depth of images combined with great dynamics. Then, there are all those other CD's-- not so good.

The same always was-- and still is-- true of LP records, only a few studios ever put good sound on those, either.

A vinyl only guy until very late into the digital age, I never liked digital until I ran across a really stable CD deck coupled to a really good D/A converter. That combo changed the whole thing. I said the WHOLE THING.... everything that's real-- and great-- about musical playback done right.

Without naming anyone, I can state that I never liked computer audio until I heard a PC with a really large, good linear power supply, using Windows Media Center, using really correct interfacing from the computer to the D/A. After that, I REALLY liked it! I never heard anything but fake "music" coming out of a "Mac" computer-- even the heavily modded ones. It can sound "good", but it's just NOT REAL!

The same is true with High-Res. You try to play the good recordings on equipment that doesn't change the music in some way. When that happens (it has lately-- to me), the resolution then shines through, and music can get better yet. I say "can" because correct playback of Hi-Res material is getting much better at the expensive High-End, but is still in its infancy.

I have a Blu-Ray disc of the Eagle's Farewell Tour-- Melbourne, Australia. This show sported a good venue, (Laver Stadium), a fun audience, the best artists, and undeniably awesome electronics used to play and record the live music.

The audio on this Blu_Ray is simply stunning in its presence, honest detail, and life-like, accurately layered, clean, and clear dynamics. "You are there" is an understatement! EVERYTHING is there!

Blu-Ray playback isn't super Hi-Res, but it is almost "lossless". It's just a bit above Redbook on "resolution" numbers. It's the recording and playback equipment and performing artist's understanding of how to use their instruments and electronic equipment that counts.

Blu-Ray sound is still in its infancy also. And, I think, so is vinyl LP sound. I have a lot of vinyl and have some very good playback electronics-- some of it had to be built here because nothing out there would really do it justice. (ever heard a good phono or linestage preamp?) I NEVER heard one-- not anywhere! I had to build one and ignore all the "rules" regarding vinyl playback to get records to sound like live music. Once the playback problems were addressed, it was great also. On about one out of each thousand vinyl records, that is!

Most of those old records were junk, and still are with most newer LPs. Once again, it's the performers, the studio, and the electronics that either make or break it.

The recording medium isn't the most important thing at all. The performance and the quality of the mikes and electronics used, the characteristics of the venue, and the performing and studio artistry present at the event are the real deal.

---Dennis---

 

RE: I'm tired of people running down Audio Note (UK), posted on September 2, 2015 at 08:55:13
Peter Qvortrup
Manufacturer

Posts: 940
Location: South of England
Joined: December 8, 2000
Dear SV-572, again,

Sorry about delay replying to your post, much to do here, here is Andy Grove's response to your post.

Hi,

One thing should be made clear when we have such discussions: We are not working in an open-source environment. Audio Note has to pay for its R&D and engineering costs and, although we like to disseminate knowledge to further the general cause, our families will starve to if we go too far down that road. We aren't principally here to do R&D and then hand that information to hobbyists, or competitors for that matter.

With that in mind it's not unreasonable to expect that we would have trade names for materials we've developed and/or sourced. This is quite normal in any industry. In any case, what does a series of code digits mean to a customer whose main interest is in music?

Metaphorically speaking, it's easy to read a Haynes manual, and use your new-found knowledge of car design to criticize Ferrari and Lamborghini for being too expensive. However, it might just be possible that Ferrari know some things about car design that you don't.

And , just possibly, those cars are expensive because the materials are expensive, there is a lot of R&D behind them, and they are put together by skilled workers on expensive machinery.

You make statements about transformer design, and core materials, which are extremely general and come from the transformer section of the RDH...

Even the best Japanese HiB material turns over at 1.8T or so in use, in a C Core, not 2T. I know that because I've measured all these materials, I'm not taking the Epstein square test data off an online dictionary page and then using it as a weapon on a forum.

The saturation of pure iron is, what, under ideal circumstances 2.15T, and we have 3-4% silicon in HiB, so straight away the 2T figure is off isn't it surely?

Furthermore, not all HiB is the same, nor M6, M4 or whatever else. Even materials which are grouped within those specs can be quite different, magnetically AND sonically.

Round loop annealed 55% material doesn't saturate at 1.5T, in fact, it's a very hard material to use, and I wouldn't recommend it for high power use unless the core is very large indeed. And, speaking of which, I designed a 15k ohm SE 211 transformer with it which used a 8 square inch CSA core just recently. That one had other features you've never heard of too.

When it comes to inter-stage and pre-amp output transformers you CAN use the same cores with the same number of turns on the winding. That's because there is a minimum feasible gap, and with that gap the relatively small current can be supported, it's just that more current can be supported with HiB cores, but you can't make the gap any smaller.

Yes, sometimes we use the same core size for SE as PSE, sometimes not, it depends on the target customer, physical constraints, budget constraints and a whole bunch of other stuff we have to think of as a functioning manufacturing company.

Furthermore, when someone emails me about an expensive transformer, I will discuss it with them, and quite often will make a bespoke design for them.

Finally, and I find myself repeating this so often: If your audio value system is based on abstract figures and specs then there is only one way to go, and that is MOSFETS. They will do everything you want, low distortion, wide bandwidth, everything, in ways that no valve or transformer can achieve.

Otherwise, you have to accept that some things have a sound, and, in audio, some things work even though, at first glance, it appears they shouldn't.

Andy

 

Huzzah!, posted on September 3, 2015 at 14:24:44
Bob Neill
Dealer

Posts: 2957
Location: New England
Joined: October 1, 1999
Great to hear The Man speak of what he knows.

 

RE: I'm tired of people running down Audio Note (UK), posted on September 3, 2015 at 21:44:39
RGA
Reviewer

Posts: 15177
Location: Hong Kong
Joined: August 8, 2001
With these sorts of discussions - as an outsider of design - I like to see discussions that talk about specific things rather than general broadside attacks on AN.

For instance when I have to buy new 15 inch tires for my car - All the tires are made from rubber - so I, as an outsider, have to rely on reviews or experts when they tell me that this Firestone is better than that Michelin.

SO here is what I would like from SV-572

I want him to choose a specific C-Core at a specific value from Audio Note and then compare that transformer to a specific model made from someone else of the identical value and cut them both open and tell me what specifically makes the contender better than the equivalent AN transformer.

AN makes several preamps that are the exact same design - the difference is in parts quality - and the sound quality jump is pretty massive to a decent ear. So the question would be to SV-572 would I get the exact same quality of sound jump by buying a transformer from SV-572. And wouldn't the onus then be on SV-572 to prove that?


All you need to do is get an AN Kit - and stick a bunch of transformers in them and see how they compare to the one that AN makes and supplies with the Kits.

 

I've never owned a Ferrari, posted on September 4, 2015 at 23:35:45
Frihed89
Audiophile

Posts: 15703
Location: Copenhagen
Joined: March 21, 2005
I have been disappointed by cars, tires, even women, but never by an Audio Note double C-Core. It's one of those things you can just count on.

No regrets here.

 

RE: I've never owned a Ferrari, posted on September 5, 2015 at 17:51:44
RGA
Reviewer

Posts: 15177
Location: Hong Kong
Joined: August 8, 2001
I think the point was lost along the way - if measurements were the thing that truly mattered the most then Audio Note and most of the SET makers would be using Torroids and MOSFETs - so if you are going to say 'we're choosing lesser measuring components because they sound better' then it stands to reason that you would continue to do that even within the world or EI and C-Core transformers.

So it comes back to the sound of the product. I've heard a lot of products over the years and to me the onus is on the attacker to bring out a fully realized product that they can demonstrate to me sounds better for the same price as what AN puts out. Not a DIY project where you have not factored in any of your costs. DIYers never account for their tools, their electricity or their salary per hour.

AN probably doesn't want to say - but I have seen a number of their parts being used in a number of competing high end machines - some actually advertise that they use Audio Note Silver or Volume knobs or whatever - but I am sure there are ten times that number who don't advertise it because AN is their competition. It was like the American car company that had exactly ONE car in their entire line-up that got a recommendation in the ultra tough (only in Canada) car guide 'The Lemon Aid' and it turned out the car was a copy of the Suzuki Swift (made by Suzuki for GM) from Japan with a different name badge on the front. Ditto Pontiac Vibe which was a Toyota Matrix.

I know lots of comparisons of Caps have been done over the years and AN's caps usually come out at or very close to the best in the world - and some of those cost a LOT of money - and the same argument can be made - such and such AN cap measures the same as something for half the price - but in the auditions the AN cap was much preferred even though it measures the same. So the benefit of the doubt applies when talking about the transformers I should think.

Warren Jarrett posted a discussion about AN Transformers on the Steve Hoffman Forum -

 

RE: I've never owned a Ferrari, posted on December 24, 2015 at 11:49:45
im very interested by audio note amps for my amphion one18

I was however dissapointed by the sound of my AN J Lx. I really didnt like that sound.

 

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