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Who here is for letting things run their course?
The crystal thing is something that everyone is putting a lot of effort into getting to grips with that it would be a shame for observations to go to waste. These are not mere theoretical speculations but observable differences that people are hearing. Let's just trust them on that, shall we, in the true spirit of the tweaker's asylum?
No doubt the talk will in due course be replaced by something else, either new or rehashed, but it would be a travesty to limit it in any way.
I am here only to learn and any semblance of fascism is a bad, bad thing.
Follow Ups:
I have found that a single type of crystal always colors the sound. When using pure quartz the sound is bleached with less blackness. It's just bright all over. Everything moves to the surface which makes it sound flat and lifeless with a narrow soundstage. The quartz needs to be blended with other minerals to get neutral sound with more extension and depth, it's extremely complex and can only be made with trial and error. It will take thousands of hours of experimentation to make something that is musically pleasing without any weaknesses.
When using minerals opposite of pure quartz everything becomes too warm, blurry and flat, the soundstage is narrowed down as well. Mixing the opposite minerals together won't work because there will be loss of information and blurry midrange. When finding the correct formula the soundstage becomes huge and spaceous with clear silky smoothness and maximum microdetail and transparency.
Crystals are definitely the power conditioners of the future because they don't emit EMI like AC powered devices do. I have replaced all my PS Audio and Acoustic Revive power conditioners with crystal formulas.
It is the "Tweakers Asylum" and not the bash it if you don't believe it asylum.
TWEAK-ON!
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