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In Reply to: RE: So, jadaniel - is that you in the video? [nt] posted by Chris from Lafayette on March 24, 2016 at 00:00:20
I'm just going to end up being another trophy in Newey's ego room, along with Solti.
No need to congratulate me on bringing out the inner voices. : )
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If I dare say, the notes don't always fit "comfortably" under the fingers. Say, the way they do with a Rachmaninoff piece.
Few repeated arpeggios either. No place to hide. : )
I know the piano version of Romeo and Juliet (i.e., the ten pieces) much better. However, I do have a complete piano score of Cinderella (probably intended for the ballet rehearsals) and it's so great to play that very opening section - what a haunting theme!
BTW, did you by any chance see the Mariinsky Ballet do Cinderella in Berkeley (Zellerbach) a few months ago? It had some Eurotrash elements, but it was still wonderful.
didn't you see my thread on formal concert attire? Who do you think you are, Brando in Streetcar?
my cam at the ready and played through a couple of times a day. That was early morning, obviously, though I did take the curlers out of my hair. Only one clunker and a bit of out of sync playing at the end. Best of around 15 takes.
Ever come across a piece you just have to own? That's the one I had to own.
of self-recording anything beyond Mary Had A Little Lamb, and maybe even that. The saving grace is, those flaws that seem so major and embarrassing when you play it back for yourself for the first time aren't so evident a couple of weeks later. And the rest of us hardly notice them, if we can hear them at all. Nice job.
seller graded correctly after paying to ship it across the pond . It's the one from '44, that people rave about.
We'll see!
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