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Yes, we have seen stories about these. I weighed options and decided to build a pair AND do a LOT of testing to understand what they do. 100% success!Visceral Immediacy. I'm going with this description. It's not the chest slam of four 18" ported subs playing the opening scenes from Top Gun. It's the presence of articulate bass even at low listening levels. It's a startling transient from a piece of music you've heard 100 times, but not with that dynamic range.
Clarity ... room resonances are greatly reduced, and so then the masking of resonance peaks and long decays. Bass notes and percussion stand with better definition in the soundstage. And with two subs, each crossed over at 60Hz from their respective left and right channel 3.7/DWM pair, I can locate the source of fundamentals down to 30Hz (my wife was less sure of 30/40, but still good down to 50).
These are built with three 12" 16 ohm GR Research servo drivers and a Rythmik A370PEQ servo amp. I drove the speakers alone with a different amp to determine how they work without the servo and shelf filters. Then I drove them with the servo amp and tried all of the damping and bass extension settings. Final settings were Hi damping and 14Hz extension. Ground plane tests in the back yard verified flat response 3db down at 15Hz and smooth up over 200Hz. Distortion mostly under 1%, rising through 2% below 20Hz. p.s. DO NOT operate this amp without the servo coil connected! And DO NOT accidently reverse the polarity of the coil wires!
Testing in my untreated 11'x15'x8' den where they were built verified that side/side and top/bottom resonances are substantially cancelled. Aimed in the 15' direction that modal resonance at 37.5Hz was evident. Turning 90 degrees playing across the 11' width, the 37.5Hz went away and the 51Hz width resonance was evident. Neither case showed a 70Hz floor/ceiling resonance.
I did not hurt myself trying to HEAR the difference between Hi, Mid, Lo damping. Suffice to say the impulse responses confirmed damping beyond 8ms, with more difference between Mid and Lo than there was between Mid and Hi. I saw no reason not to use the Hi setting. And though the subs could clearly play below 10Hz, I have the Rumble filter on.
I did notice through measurements that when correctly (triple checked!) wired, the polarity was reversed. I verified myself and with a note to Rythmik that turning the Phase knob from 0 to 180 degrees is NOT the same as switching the wires. The Phase control is for fine tuning phase at the crossover point. I switched the wires and it all worked.
Glad to answer any questions and provide measurements.
Agilist, Musician, Photographer, Audiophile
Magneplanar: 3.7, CCR, MC1,LRS, MMGW, DWM; Outlaw: UltraX12, LFM-1C; Emotiva: XMC-2; Nord: Nord One NC500DM, Nord Three 1ET7040SA; Outlaw: Model 7500; OPPO 205
Edits: 10/14/24Follow Ups:
Tim didn't find a difference between the servo amps and regular amps. Did you try comparative measuring and listening?
I measured a clear difference in the impulse response with and without the servo and between the three damping settings. But I had to use a different amp to test without servo because there is no way to defeat the servo in the Rythmik amp ... there are three settings but you can't run the amp with servo disconnected. And then I had to do the shelf filter with a miniDSP for the other amp because the shelf filters are built into the servo amp too.
Did I try to HEAR a difference? No ... I did not attempt to do that to my brain given that you can't just switch it off and rewiring everything would kill off any sonic memory. But a couple weeks ago I heard a sealed sub built by someone who designs and builds speakers. He made his with two 15" drivers and the Rythnik servo amp and it has the same signature sound that I hear. And that guy said he felt the servo made a big difference.
Agilist, Musician, Photographer, Audiophile
Magneplanar: 3.7, CCR, MC1,LRS, MMGW, DWM; Outlaw: UltraX12, LFM-1C; Emotiva: XMC-2; Nord: Nord One NC500DM, Nord Three 1ET7040SA; Outlaw: Model 7500; OPPO 205
FWIW, when I did my test, I compared the Rythmik servo amp against B&O IcePower 1000ASP amps. "Better" amps may perform better than the amps I tested.The 1000ASP amp measured better (REW) with faster dampening/setting than the servo amp using 2 drivers per side (no change in speaker, nor mic positions, just swapping amp feeds). That being said, I did not hear a difference.
I did not try this test with 3 drivers per side. The 1000ASP amp is stable to lower Ohm loads and has more power than the Rhythmik amp so I would assume 3 or 4 drivers per side would follow suit.
I used my own FIR dipole compensation filters. The dipole compensation filters in the Rythmik amp can't be defeated without a special control board from Brian D. Same goes for most all of the controls in the plate amp.
I spoke with Brian D about using the IcePower amps when they first came out. He said he tried to negotiate a deal with the OEM, but they would not add the hooks he needed to make it a servo unit. If they did, the resulting servo would probably benefit from a stronger amp.
For a while, Brian did have servo amps using a different amplifier, then they were discontinued. I haven't followed the progression since then.
Brian confirmed he made some one-size-fits-all engineering decisions for the servo amp. He also confirmed that those one-size-fits-all decisions may not be optimal for every application ( by definition ).
I bought a special board from him to get around this problem and in the end, decided to do all of my configurations in one place instead of playing dueling banjos in case a physical control accidentally got changed. Another dueling banjo was the upstream filters undoing unwanted changes in the plate amp filters (shortest distance between 2 points is a straight line, instead of tacking).
It also removed another layer of filters and circuitry from the signal chain while allowing more sub amp options. Sold off the plate amps.
Since the H-Frame cabinet has no backwall/cabinet induced waves, most all of the designs issues the servo was trying to address in a sealed cabinet does NOT exist in an OB/Dipole design.
If memory serves, the servo amp was designed for sealed and ported boxes, not OB/Dipoles without boxes. The latter application came after the former and required some modifications for that application.
A370PEQ Dampening Factor:
The A370PEQ is rated at 370 watts of power into a 4 ohm load.
Harmonic distortion is less 0.01% at 200WRMS @4ohms (-3 dB from full output).Damping factor: 160 @ 4ohms. (Note: damping factor is speaker wires dominated. Without speaker wires, the native damping factor is > 800).
ICEPower 1000ASP Dampening Factor:
1000W @ 0.01% THD+N, 100 Hz, 4 ohm
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2022/03/30 Historical Records CENSORED
Edits: 11/11/24 11/11/24 11/11/24 11/11/24 11/11/24 11/11/24 11/11/24
Thanks for sharing this Tim. Good for others to see the perspective you have from trying different methods. After we discussed it last year I decided to do the 3-high and I figured if I start with the Rythmik amp I can get an understanding of how it works and sounds ... always the opportunity to change the method and hardware in the future, but right now I really like the result. I was a little concerned it might not be enough power compared to the rest of my system, but the Dolby Atmos thunder plays cleanly 100db @20Hz so I figure that's good!
A couple weeks ago I visited a guy who built two 2'x2'x2' sealed subs with dual 15" servo drivers each and a Rythmik amp. It must have been an older amp because it had balanced inputs (which have been unavailable for a couple years) and he said it was a 500W Class D. They sounded great!
Agilist, Musician, Photographer, Audiophile
Magneplanar: 3.7, CCR, MC1,LRS, MMGW, DWM; Outlaw: UltraX12, LFM-1C; Emotiva: XMC-2; Nord: Nord One NC500DM, Nord Three 1ET7040SA; Outlaw: Model 7500; OPPO 205
IIRC some of the previous amps were Hypex based.
The balanced option wasn't available when I bought the A370PEQ.
The A370PEQ is a great all-in-one Swiss Army Knife for those that don't have adequate FIR options upstream.
I wouldn't mind 3 or 4 drivers/side either. The extra XMAS and SD help. When I tried 1, 2, 3 and 4 drivers, the performance progression was notable. I can't image those with 6/side.
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2022/03/30 Historical Records CENSORED
Congrats on extending the dipolar range!
As one who is OCD about some things, however, I find the choice of three drivers odd. You've got more blowing than sucking. ;)
Why not two or four?
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Well there are a couple reasons for doing three. But ... there is no blowing and sucking. The three drivers are playing in phase. The middle one is physically reversed and the wiring is reversed, so it plays in phase with the other two. All three push and pull together.
Having three drivers results in more surface area so more amplitude for the same excursion. This helps with using the extension filter to play down into the teens.
The reasons for having the center driver reversed ... well that's how the plans were and I didn't feel like altering the plan. But it has been measured that reversing the center driver lowers overall distortion (per Linkwitz and others). It also physically balances the cabinet since the whole thing weighs about 180lbs.
Agilist, Musician, Photographer, Audiophile
Magneplanar: 3.7, CCR, MC1,LRS, MMGW, DWM; Outlaw: UltraX12, LFM-1C; Emotiva: XMC-2; Nord: Nord One NC500DM, Nord Three 1ET7040SA; Outlaw: Model 7500; OPPO 205
Not only does it lower distortion, it partially balances the forces on the baffles. Of course, two or four would be ideal in that regard, but I gather from what people have said that three is the sweet point (and Tim pointed out that four is impossible). This would be not just because of the increased driver area, but because the baffle is larger. (Wonder if anyone has tried putting them side-by-side on the floor for more floor reinforcement.)
4 and 6 per side are possible with a different amp or 2 servo amps per side.
I think there "was" a Hypex-based servo amp that could do 4.
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2022/03/30 Historical Records CENSORED
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I actually did a ground plane measurement out in my back yard with the mic 6ft away. Laying the sub down on the ground resulted in about 2db gain, vs standing up at the same distance. This is with 14Hz extension filter, high damping and 10Hz rumble filter.
I didn't repeat the test with two of them in my room, because I found I can definitely locate the source down to 30Hz and decided to keep them standing next to the 3.7 playing stereo for the 3.7 left/right speakers and of course bass management and LFE is mono to both subs. I also found that mixing a little of each sub to the other (I'm running them through a little mixer to combine LFE) reduced the time component of room resonance at 40Hz.
Agilist, Musician, Photographer, Audiophile
Magneplanar: 3.7, CCR, MC1,LRS, MMGW, DWM; Outlaw: UltraX12, LFM-1C; Emotiva: XMC-2; Nord: Nord One NC500DM, Nord Three 1ET7040SA; Outlaw: Model 7500; OPPO 205
But ... there is no blowing and sucking. The three drivers are playing in phase.
Two one way, the other different.
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The middle speaker is wired with polarity reversed, so they all play in phase.
Agilist, Musician, Photographer, Audiophile
Magneplanar: 3.7, CCR, MC1,LRS, MMGW, DWM; Outlaw: UltraX12, LFM-1C; Emotiva: XMC-2; Nord: Nord One NC500DM, Nord Three 1ET7040SA; Outlaw: Model 7500; OPPO 205
The middle speaker is wired with polarity reversed, so they all play in phase.
twice as much frontal radiation than rear.
Speakers all radiate from both sides. With an open baffle dipole design the front and rear waves radiate into the room equally but with opposite polarity. The speakers are wired so they play in phase, even though the center one is physically reversed. All three speakers push a positive wave forward and a negative wave to the rear. It's like a figure 8 radiating pattern due to the dipole cancelation at the sides, top and bottom which reduces the response in those directions by around 25db.Quote from a forum post "Linkwitz and others proposed that due to the non-symmetrical construction of the woofer, cone, surround etc. they radiate distortion (non-linear properties) at different amplitudes front and rear. If both drivers are in the same orientation these sounds are reinforced. When one of the drivers is reversed, these artifacts are effectively cancelled."
Agilist, Musician, Photographer, Audiophile
Magneplanar: 3.7, CCR, MC1,LRS, MMGW, DWM; Outlaw: UltraX12, LFM-1C; Emotiva: XMC-2; Nord: Nord One NC500DM, Nord Three 1ET7040SA; Outlaw: Model 7500; OPPO 205
Edits: 11/04/24
If both drivers are in the same orientation these sounds are reinforced. When one of the drivers is reversed, these artifacts are effectively cancelled."
Siggy's speakers with dipolar woofers (LXstudio, Orion, LX521) use a pair of identical drivers.
With two drivers you turn one forwards and the other backwards and the one facing backwards is wired out of phase (-+ instead of +-). So both drivers move in the same direction at the same time (in phase). The reason is because if the driver motion is non symmetric (it moves differently forwards than backwards), then having one driver face forwards and the other backwards cancels out this source of distortion.
Three is an odd choice. Driven by the needs of more surface area versus the inconvenience of four?
The choice of 3 - 14 Ohm drivers is because of the combined load (4.6 Ohms) on the servo plate amp.The servo plate amp could not drive 4 - 14 Ohm drivers. Aggregate impedance (3.5 Ohms) would be too low.
SW-12-16 parameters:
FS 28.3Hz
BL 14.07
Mms 108g
VAS 100L
Qms 2.8
Qts 0.85
Sd 490cm^2
Re 14 Ohm
X-Max 16 mmIdeally, you would want even numbers of drivers to cancel out non-lineararities of the forwards and backwards cone movements.
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2022/03/30 Historical Records CENSORED
Edits: 11/04/24
Hey Marc,
Good to hear you took the plunge.
Did you replace any of your other subs or are you using these in addition to your other subs ?
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2022/03/30 Historical Records CENSORED
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Yeah it took a while but I got them built and I spent a lot of time testing. I removed the two Outlaw subs. So these two are all that's running and I have set them up so they cross to the Magnepan 3.7/DWM left and right at 60 Hz through the XKItz active crossover ... one sub each for left and right. Bass management and LFE go to both subs through a mixer.
They sounded great at first, then after a couple weeks of breakin they sound even better.
Agilist, Musician, Photographer, Audiophile
Magneplanar: 3.7, CCR, MC1,LRS, MMGW, DWM; Outlaw: UltraX12, LFM-1C; Emotiva: XMC-2; Nord: Nord One NC500DM, Nord Three 1ET7040SA; Outlaw: Model 7500; OPPO 205
Did you try them flat on the floor or against the side walls to extend the long baffle ?
With 6 drivers, you probably don't need the extra boundary gain.
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2022/03/30 Historical Records CENSORED
I did a ground plane test outside with it standing straight up and it was dead flat way below 20. So I laid it down and got about 2-3db gain. But since in the room I can actually hear the location left/right down to 30-40Hz I decided I really didn't need the extra gain. I have them 3ft from the side wall and 7 1/2ft from the front wall. But I have this extra wood baffle screwed to each 3.7 in the Rooze setup so the sub is against that baffle which gives it an extra foot of baffle length.
With Dirac room correction they go down to 15Hz and play plenty loud for my room. I have the amp set at 14Hz extension, Hi damping and with the 10Hz rumble turned on.
Agilist, Musician, Photographer, Audiophile
Magneplanar: 3.7, CCR, MC1,LRS, MMGW, DWM; Outlaw: UltraX12, LFM-1C; Emotiva: XMC-2; Nord: Nord One NC500DM, Nord Three 1ET7040SA; Outlaw: Model 7500; OPPO 205
Pretty amazing that you can localize them that low in a listening room.
Thanks for posting. I have the duals and find them particularly useful in getting a (what I would consider to be), lifelike presence for double bass (trio jazz). When you set these up did you do it all by ear, or have a microphone and some spectral analysis?
You might try a recording by Sasha Witteveen called "...Into the Light". Much of the recording is two double basses playing left and right. Dynamics and depth are excellent and you really can hear the system playing deep bass in stereo. I especially like th etrack "Blew Cheese"
https://trptk.com/shop/spatial-audio-downloads/into-the-light-spatial/
For Jazz trio I like Bill Charlap's "'S Wonderful" and Ray Brown "Live at the Loa - Summer Wind"
Agilist, Musician, Photographer, Audiophile
Magneplanar: 3.7, CCR, MC1,LRS, MMGW, DWM; Outlaw: UltraX12, LFM-1C; Emotiva: XMC-2; Nord: Nord One NC500DM, Nord Three 1ET7040SA; Outlaw: Model 7500; OPPO 205
I use a miniDSP UMIK-1 microphone and Room EQ Wizard software. For the outdoor measurements I used a laptop to run REW and a miniDSP HD as the audio interface to do measurements and to experiment with shelf filters to understand what the Rythmik amp was doing. I measured frequency response, impulse response, etc. This allowed me to see the effects of the different damping and bass extension settings.
And then I listened a LOT and went back and forth listening and measuring to corelate it all.
Agilist, Musician, Photographer, Audiophile
Magneplanar: 3.7, CCR, MC1,LRS, MMGW, DWM; Outlaw: UltraX12, LFM-1C; Emotiva: XMC-2; Nord: Nord One NC500DM, Nord Three 1ET7040SA; Outlaw: Model 7500; OPPO 205
You make me guilty -- I've been meaning to take my speakers out into the back yard and measure them forever. Not the woofers -- you're equalizing for the room below the Schroeder Frequency -- but above, since you want to prioritize on-axis over power response. (In theory, I can look at a gated measurement, but you know how hard it is to get the gating right with line sources . . . )
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