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In Reply to: RE: hardwood MMG frames, what went wrong? posted by Peter Gunn on September 28, 2010 at 06:35:29
The point is that the wood will selectively absorb particular frequencies more than others. In Warmfire's sandwich there is a lot of wood. I am pointing to instrument makers because they are aware of which woods have what tonal performance.
The finish is important if there much surface, the surface is large in the sandwich structure. So the kind of seal makes a difference.
In the sandwich structure there is double the amount of wood than a single layer frame. The edges of the wood are free and will act like reed resonators - sort of like Josh's description - the edges of the sandwich are a long tuning fork.
Therefore, one should expect that the wood used would contribute substantially to the overall sound particularly as it would absorb at particular frequencies, and throw off other particular frequencies.
Follow Ups:
I'm thinking that even if the differing resonant frequencies were audible in an A/B comparison, they wouldn't necessarily change the overall subjective character enough for someone to judge a panel made of one kind of wood substantively different from another. Assuming that the resonances are audible in the first place, as opposed to being masked by the sound from the diaphragm.
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