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It's all about the music, dude! Sit down, relax and listen to some tunes.

A wider pallette: Mahler on the clavichord!

Chuck Y,

Exactly. All thes approaches just add to the richness of the musucal world and we're lucky to kive in a time when we can pick and choose over such an amazing range of recordings and broadcasts. Imagine living in the 1870's, we might have heard Beethoven's 9th only one time in our entire lives and have nothing else to compare it to, maybe not even the 8th Symphony.

I still defend this particular Mahler's 4th because the 4th with it's sleigh bells and lighter texture does adapt to the chamber orchestra well. The 6th is a work that I gree, needs the full horesepower. As I mentioned in another reply, the Adagietto from the 5th could be a chamber work too. Beginning as a bit of a spoof, I once made a keyboard transcription of the 5th's Adagietto and performed it on clavichord in Italy- where everyone else was obsessed with CPE Bach. Raised eyebrows all round for the idea, but the timbre of the clavichord does a good harp substitute and it worked remarkably well. A lot of people remember that one over all the more usual Froberger Haydn and CPE. How that for HIP thinking?

Wagner was an amazing orchestral writer and not all needs a huge force. Of course, the "Siegfried Idyll" is really a chamber piece and Wagner did it delictely and beautifully.

Listening to all these different approaches really gains perspective.

Cheers,

Bambi B


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