From a sonics standpoint of view the Timegate TG234 pressing of The Brandenburg 4 & 5 was simply outstanding. This was a very short lived label that belonged to DCM (makers of the Time Window speakers). They spared no expense to make this LP and everything from hardware to locale to the people employed were the best that were available. There were very few of these pressed and I believe the actual number is between 1000-2000 LPs. I owned one for many years but it saw very little play. I ended up selling this LP to a person in Italy. I remember this well since it was the only LP I have ever sold. And I wish I didn't. --------------------------------------------------------------------- This is the review of the LP referred to above from Arthur Salvatore's website: ***********FINEST CHAMBER ORCHESTRA LP*********** BACH-BRANDENBURG CONCERTOS 4 & 5-TIMEGATE TG 234 This may be the finest recording of any type, but I hesitate to say that because it is pointless and unfair to compare a recording of a large orchestra with a small, intimate chamber group. All I can say is that I have never heard any recording that is even more immediate and "alive" sounding. The inner detail, harmonic structure and dynamic shading are also unsurpassed. The recording engineer was Peter McGrath, one of the most talented (and underrated) in the world. I realize that the performance of this music will not be considered "World-Class" by most experts or even amateurs, but that is irrelevant in this context. Why haven't you heard of this LP? Well, The Absolute Sound (TAS) actually 'reviewed' it when it came out back in 1981, and it was panned, believe it or not. After that it was totally forgotten, because TAS back then had a lot of influence on audiophiles (including me). I "discovered" this LP 10 years later by sheer accident. I then reread the TAS 'review' with a combination of shock and sadness. (Frankly, I find that it is impossible to read the TAS 'review' and listen to this LP without losing all respect for the TAS 'reviewer'. TAS reviewed it again, a few issues later, with more positive results, but the reviewer incorrectly wrote that this is a digital recording, it isn't.) If you are wondering who "Timegate" is; they are the same people who manufactured the (once popular) DCM Time Window speakers. It is tragic that their greatest achievement, this LP, was a critical failure. I was informed, in the early 1990's, that only 1,000 to 2,000 of these LPs were ever made, so they are rare. The price of this LP was quite cheap for years, but it's now usually expensive if its found on an auction. Good hunting. Competitor- The one Chamber Orchestra LP that "competes" with the Bach is the Vivaldi Flute Concertos on Harmonia Mundi (USA), which was also recorded by Peter McGrath a few years later. It is more "laid back" and not as "immediate". There is also less inner detail, decay and echo, but it is extremely natural and full-bodied. Some listeners may even prefer it for that reason. This exceedingly special Vivaldi record is also within The Divinity. See the description just above. ------------------------------------------------------------------------ Ed
Life is analog...digital is just samples thereof
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