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In Reply to: RE: The best and worst concert posted by Picklesnapper on May 31, 2014 at 19:11:06
The best concert I ever attended was by a band you never heard of, The "Punk Rock Janitors" from Harrisburg, PA. It was a Monday "audition night" (i.e., play for free) gig at CBGB in New York in '79 or '80. The Janitors began as three not - very - bright knuckleheads sitting around in a basement in Harrisburg listening to Ramones records and drinking beer. One day one of them said "hey, lets buy some guitars and start a band!". They flipped coins to see who would get which instrument and taught themselves to play. Danny Trash, the lead guitarist, had no concept of keys or scales - his solos sounded like they came from an alien culture. Original drummer Paul Bearer played while sitting on a trashcan. He had to concentrate so hard to keep a beat that veins in the sides of his head would throb grotesquely. He eventually left the band to be institutionalized and was replaced by Jack Hammer, a terrific drummer who'd played in a number of central Pennsylvania heavy metal bands. His double kick drums gave the Janitors' ultra crude 3 chord sound a ferocious drive. Jack also fit in perfectly with the intellectual level of the Janitors, as his main interest in life was pornography. The band was completed with the addition of Cherry Bomb, a rhythm guitarist who was in her early 20s but looked and dressed like a 12 year old. The band's name came from the fact that Bernie the bass player worked as a janitor in a mall, a job he lost for wearing black Spandex tights to work.
The Janitors became proteges of the Fuzztones, for whom I was a roadie and live sound engineer. The Fuzztones had some modest popularity in the Northeast and whenever possible they'd have the Janitors open for them. Audiences seemed to understand that The Janitors were average guys working as hard as they could, and the band was usually well received. It helped that Danny revealed an unexpected talent for writing catchy - albeit simple - songs.
The zenith of the Janitors' career came when the Fuzztones secured the audition gig at CBGB for them and a couple of hours of time in a small recording studio the same day. We could sense that the Janitors weren't fated to stay together much longer; after two years as a band the four unstable personalities were fighting more often than not. They taped a half dozen songs in the studio. I have a cassette dub of two of the wonderful performances and it's one of my favorite recordings.
That night the Janitors played to a nearly empty CBGB. The audience consisted of a half dozen Japanese tourists, the Fuzztones, their crew, and a few friends. The Janitors didn't care, they were completely awestruck by standing on the same stage where their heroes the Ramones had played. You'd have thought they were playing before 50,000 people. Danny was so nervous that he threw up before going on.
I think that somewhere in the depths of their tiny brains the Janitors understood that the CBGB show was likely to be the highlight of their lives, that afterward was only obscurity and stultifying boredom in a small town. Whatever the reason, for 20 minutes on a rainy Monday night the Punk Rock Janitors were The Greatest Rock 'n' Roll Band In The World. I have never seen a better live show and don't expect that I ever will. The band played like they were possessed, careening around the stage madly, jumping in the air, completely uninhibited. At one point Bernie leaped off the front of the stage and crashed down onto the club's concrete floor on his knees without missing a note. Danny played a solo lying on his back with his head in a kick drum. When the Janitors had blasted through every song they knew they just stopped. Those of us in the audience were too stunned by what we'd seen to even applaud. For a moment we just stood there like sheep, mouths agape in astonishment and wonder.
The Janitors went back to Harrisburg the next day and broke up shortly after. I never saw any of them again.
Follow Ups:
Went by 'Rowdy Doody' (Bill Magill). I don't know if he actually played on the Tina Peel "EP" but that's him in the picture in the link below.(edit: he certainly played on the 'More Than Good Looks' EP, possibly others.)
I went to tech school with him in Texas, he later became an investment banker, now semi-retired living in the south of France ... interesting where life takes people.
Edits: 06/07/14
I never met him, as far as I can recall. I started working with Tina Peel after they had relocated to New York from Harrisburg. Oddly, Mr. Magill's replacement was also from Harrisburg, one Jim Gordon AKA "Jim Nastics." Jim stayed in Pennsylvania and would drive the 4 or 5 hours from Harrisburg to NYC whenever the band had a gig. Tina Peel came "that close" to signing with Polygram, but the deal fell apart at the last minute when the A&R guy was fired. The Fuzztones originated as a scheme by Rudi Protrudi to get paid twice by being his own opening act. The Fuzztones would open for Tina Peel and usually weren't very well received. Tina Peel was a new wave band, and the audience for a bouncy pop band wearing bright colors wasn't always the same as the audience for a garage revival band dressed all in black and doing Sonics covers. At some point Rudi decided he liked the Fuzztones better than Tina Peel and ended the latter band. Jim Gordon either got tired of the commute to NYC or had a falling out with Rudi (or both) and quit.
I'd say your friend made the right career decision!
...of a small town rock & roll band. thanks! it made me all nostalgic ...
Thanks for sharing. And I'm sure you've made copies of that cassette tape.
A few years ago, Rudi Protrudi of The Fuzztones put out a CD of the Janitors' New York recording session. Rudi "borrowed" an earlier version of my Asylum post for the CD's liner notes. He also took it upon himself to edit - badly - my writing. If he had gotten in touch with me I would have been happy to have written something new. Anyway, the link below is worth clicking on to see what may be the only photo of the PRJ's original lineup. That's Bernie on the left, Paul Bearer in the middle, and Danny Trash on the right. Danny is playing his Flying V knock off. At one gig I lent him my Mosrite guitar. Danny's solos weren't really improvised, once he worked out the solo for his songs he pretty much played the same thing every time. I knew he always started the solo in a certain song on the B string at the 5th fret, and that my Mosrite had a bit of a buzz there. I warned Danny about it and he was unconcerned. "I'll just move up to the next fret." He didn't care (and maybe didn't even understand) that he would be changing his solo by a half - step! I was completely astonished. It really didn't matter though, Danny's solo didn't sound much odder than it always did.
Rob,
It was my understanding that being accomplished on any instrument wasn't a requirement for the punk rock crowd. Mind you, some of it was truly excellent, at least with early Elvis Costello, Television, etc.
But there is something to be said for sheer enthusiasm and energy, it's makes up for a lot of other sins.
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