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In Reply to: Re: Some interesting replies. posted by Presto on April 20, 2007 at 11:09:17:
A model is not sufficient IF it does not explain everything that we see and hear. However, simple models are OK for everyday use. For example: I might say that the Sun rises each morning. This is known and appreciated by many across the world. However, we know that it is not an accurate model, just a convenient one that works most of the time, for the purposes intended.
At another level, we might say that the Earth and the Sun attract each other by the inverse square of the distance between them, and their relative masses. This is sort of true as well, but Einstein might have a slightly better model than this.
It is the same with electronic signal flow in a wire. The convenient models sometimes do not explain why we hear what we hear, so sometimes it is better to look deeper into the more exact models and see it we can correlate them with what we hear. That is why I have looked into more exact models of electron flow.
Follow Ups:
John:I thought at the atomic level, it's not really model anymore - it... is what it is! :o) I like mythbusters. Their models are often full scale, or not models at ALL (recreations of the real "claim".) Love that stuff.
In any case, so many models arrive at the conclusion that "what goes in must come out" when it comes to conductors. In fact, even the most definitive analysis of electron flow would come to this conclusion. But still, there are other factors. Modelling electrons going through a single wire is convenient, because it takes that pesky OTHER wire (the return path of the loop) out of the equation. :o)
I think this is where the impact of cable geometry and the relative positioning of the magnetic fields surrounding each conductor. Of course, with a very crude instrument (like a clamp on ammeter) the fields seem to be equal and opposite and cancel as one would expect. But clamp on ammeters - even tiny ones - cannot account for the magnetic interaction that is occuring BETWEEN conductors.
This then results in various schools of thought - you get the "twisters", the "shielders" and the "separatists". Some speaker cable designers go to great lengths to provide incredible levels of twisting (even insulting and twisting individual STRANDS) while others are claiming that ripping zip cord into its component parts and separating them by a few inches offers great improvements, improvements which will exceed any negative effects of the added inductance that the separation will cause. Even some of the most esoteric cable designs on the planet have large separations between the + and - conductors (Look at some of the Virtual Dynamics cables - some of their speaker cable topologies are reminiscent of hooking up a large arc welder!)
Yes, my biggest challenge when trying to learn about what constitutes an optimal conductor is trying to differentiate between truisms and mere pseudo-scientific claims borne of sheer marketing energy.
For the record, I am a really big fan of ultra-tight unshielded twisted pair (UTP) FEP teflon interconnects that are simply kept short and kept away from other fields. I think the whole audiophile community gets a little too hung up on shielding at times, and end up putting too much metal around their conductors. If triple-shielding of interconnects is necessary, I would be asking not if those interconnects are WORTH $1000, but why do I have so much noise to begin with, and why I am not shielding other parts of the signal chain in the presence of this "horrific level of magnetic interference" that warrants "triple shielding".
Just babbling now.
Presto, I cannot disagree with your wire choice.
Personally I find that there are two aspects to wire. One is geometry, the other is material purity and type. Sometimes, wire designers think one aspect is greater than another, but I think that they both can be important.
Back in the early '80's, I overheard a debate between Dr. Vandenhul (material quality) and Bruce Brisson (geometry). I finally heard some interesting discouse on the subject, yet that was about 25 years ago. Have we made much progress since then? I should hope to think so, but we are always condemned for even thinking that there is a difference, and being techninal at the same time. It slows things down to a crawl. ;-)
"Have we made much progress since then?"John:
I used to think things were done the way they were done because someone somewhere decided that was the best way to do it, and everyone else concurred! Then I had to grow up and realise that things like cost restrictions (or profit margin), space, simplicity, and most often sheer familiarity were why things are done the way they are done.
A good example is the widespread use of the unbalanced connection.
In consumer hi-end audio, it really is sometimes mind boggling how we generally obsess about "optimizing" something that was a compromise in the first place. Some guys refuse to play the game and build their systems around hybird amps and pre-amps (pro/hi-end) which are all balanced.
I have more balanced-to-unbalanced and unbalanced-to-balanced adapter cables than I usually care to admit.
Once I get more confident about my DSP based playback system (with built in EQ/Crossover and DRC impulse convolver) and get it sounding as musical and open as possible, I think I want to try an all-balanced preamp and amp section. I may even go to the extreme of running balanced out of Lynx 2B directly into amps with stepped attenuators. I am really not a fan of digital attenuation, even if small attenuation levels do not result in the dramatic dynamic range penalty as some folks make it out to be.
Anyways... babbling again! :^]
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