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In Reply to: Sure posted by Kal Rubinson on March 19, 2007 at 09:07:29:
Sorry, I'm still not getting it. - Was the original poster looking in particular for pre/pros or receivers that would process ONLY multichannel SACD? If so, why would it be important that the unit be limited to one function, e.g., processing SACD only, and not Dolby, TrueDolby, or other formats? Are there some advantages to such a one-function unit?I apologize that I seem to be a little slow getting the gist of this discussion. (The reason I'm interested is that I'm considering upgrading my own multi-channel system, and I think that I might learn something regarding options for my own system.)
Follow Ups:
The theoretical advantage of the pure analog multichannel preamp would be the lack of any video inputs/outputs or DSP processing/conversion that could add noise to the analog signals. How much such is realized in practice depends on the units and what you are comparing them to. The top MCH analog preamps that I have used sound cleaner and purer to me than the analog bypass does on pre/pros. OTOH, the latter vary in their quality, as well.So, in my big system, which is all audio (save for a 5" LCD for menus), I use an analog preamp. In my other system, which is also a HT system, I use a pre/pro for obvious reasons.
The theoretical advantage of the pure analog multichannel preamp would be the lack of any video inputs/outputs or DSP processing/conversion that could add noise to the analog signals. How much such is realized in practice depends on the units and what you are comparing them to.
Thanks. - I think I'm getting the point. I take it that the analog "pass-through" circuits on some video/audio processors (which I use) aren't as clean or don't have the audio quality as a dedicated analog preamp. - Perhaps the previous suggestion of using three stereo preamps might be the most cost-effective solution.
Jim
look for a used Sony TA-P9000ES.
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