|
Tube DIY Asylum Do It Yourself (DIY) paradise for tube and SET project builders. |
For Sale Ads |
Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.
Original Message
Attacks and decays are most important to our hearing system in identifying characteristic timbre.
Posted by Timbo in Oz on February 16, 2017 at 22:07:06:
The continuous tone and its harmonics, (if the instrument can do a continuous tone,) comes third even when it is present.
This is unsurprising given percussion instruments, pianos, harpsichords and harps which don't do a continuous tone at all. And they still can be distinguished, even within a type, eg. Ziljan cymbals against lesser makes.
Amplifiers, and systems, need matching rise and decay times to get timbre right.
There's more! Much expression is in the attack and decay. ? Where the decay can be managed by the player.
Starting and stopping.