Home
AudioAsylum Trader
Hi-Rez Highway

New high resolution SACD releases, players and technology.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

RE: A recording revolution or back to basics?

Posted by jrlaudio on June 14, 2020 at 18:48:48:

They do sound incredible. However, there is one problem. It is limited to specific single-take recording sessions, limited by the type of music, size of the musical group, the acoustics of the venue, and where you can place the microphone, and a host of other logistical issues. It demands much more work (and engineering knowledge) than placing multiple microphones.

I made a multi-track recording of myself playing some Bach, rocked up. I used a Josephson as well. I made separate tracks in a cathedral of a acoustic Harpsichord, Hammond B3, Moog Modular, Minimoog (basslines) and a Yamaha drum kit. Didn't move the mic and just tracked each part separately. So I had to setup all the sound producing parts in the physical location I wanted them in the recorded soundfield. The drums in the "center-back" the Hammond's leslie to the left, the modular synth playback system to the right, the bass synth amp centered-front, with the Harpsichord in the middle of everything. It sounded good, but I ran into issues with the multiple reverberant fields combining in a mix. Each track sounded great, but the reverb fields were causing strange additive effects when mixed, so it was in that regard a failed experiment. It still sounds pretty cool though.