Critic's Corner

Discuss a review. Provide constructive feedback. Talk to the industry.

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.
You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login

By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username: The Name that you picked or by default, your email. Forgot Moniker?	Examples "Rapper", "Bob W", "joe@aol.com".
Password:	Forgot Password?
	Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:
Your Email:
Subject:

Message Comments

Original Message

RE: Stereophile John A summation of LM loudspeaker

Posted by Inmate51 on January 3, 2017 at 08:14:34:
My old (and he IS getting old) loudspeaker mentor John Meyer (meyersound.com) is a horn expert, but even he uses bass reflex for the low end, partly because large horns are impractical even for many touring systems.

While Kloss is a vintage horn addict, and that's all fine, he can get better bass in a smaller package with bass reflex.

Large bass horns for movie theaters is one thing, but large bass horns in a home living room... not so much.

:)