Critic's Corner

Discuss a review. Provide constructive feedback. Talk to the industry.

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.
You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login

By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username: The Name that you picked or by default, your email. Forgot Moniker?	Examples "Rapper", "Bob W", "joe@aol.com".
Password:	Forgot Password?
	Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:
Your Email:
Subject:

Message Comments

Original Message

RE: Three dimensional space

Posted by morricab on December 1, 2016 at 12:47:29:
So, you mean to tell me that you never close your eyes at a live concert? I find that I do this quite often...particularly at classical concerts. Guess, what? i can still get quite good "imaging" and "soundstaging". I can easily still tell where the violins, flute, oboe, cellos and basses are located. Or a soloist. I can also tell the horns and the percussion are in the back. Is it razor sharp? Only if I am sitting very close but that is true whether my eyes are open or not.

Visual cues are not required to be able to get good auditory placement in live un amplified concerts...for amplified concerts it is more important since most of the sound is coming to you disconnected from the performers.