Home
AudioAsylum Trader
Critic's Corner

Discuss a review. Provide constructive feedback. Talk to the industry.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

RE: So in other words ...

Posted by PAR on October 30, 2016 at 01:19:43:

In Reply to: RE: So in other words ... posted by PAR on October 29, 2016 at 16:06:39:

" " However there is not any high rez ( in an MQA sense) service yet in existence"
Classicsonlinehd has many files streaming at 24/96 to 24/192
Of course they are dropping all labels except those owned by Naxos. Too bad
Alan"

I think that I could have phrased it better if I had just said " using MQA". Still I think that the point about unproven economic viability is still pertinent and the scaling down of Classics Online supports this. As a simile, apparently 83% of Spotify's revenue is dissipated in royalties and other outgoing costs. As Classics Online is owned by Naxos and if they now only have repertoire from the Naxos family of labels, then the cost of some of the royalties (those to publishers are artists remain) is removed. It also must reduce the cost of storage and administration.

It's too bad that Naxos found it necessary to do this but, as I have pointed out elsewehere on AA, some download suppliers have also found it necessary to take roughly similar action although in their case it was reputedly mainly caused by storage and bandwidth costs.

I was listening Qobuz yesterday with a close friend who works at one of the majors " enjoy it while you can" was his view.

Regards

Pete