Critic's Corner

Discuss a review. Provide constructive feedback. Talk to the industry.

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.
You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login

By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username: The Name that you picked or by default, your email. Forgot Moniker?	Examples "Rapper", "Bob W", "joe@aol.com".
Password:	Forgot Password?
	Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:
Your Email:
Subject:

Message Comments

Original Message

RE: Not true then...

Posted by Pat D on March 3, 2011 at 15:11:34:
I never even auditioned anything based on a TAS review. My dealer had Kef 104 speakers, which sounded better than just about anything else in town, and I read a couple of British reviews who liked them. One of them supplied some measurements, though nothing like those supplied nowadays by Soundstage and Stereophile. I followed the methods laid out by Julian Hirsch, who suggested auditioning speakers with a good variety of familiar recordings. At the time, I discovered I had no really good choral recordings.

Before I got the Quad ESL-63's, I had auditioned them several times over the years. I also had read a number of reviews, including Dick Heyser's not so favorable one in Audio, with measurements, of course, and quite favorable reviews in Stereo Review and High Fidelity. So I have experienced a lot of room placement issues with dipoles.

Several years ago, I went to wide dispersion forward radiating speakers and haven't looked back.