Home
AudioAsylum Trader
Classical Court

From Perotin to Prokofiev (and beyond), performed by Caruso to Khatia, it's all here.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

RE: Not quite recording but relevant to Miking

Posted by rkw on July 7, 2021 at 02:23:58:

I have attended a live guitar concerto performance, under as ideal conditions as one could hope for. It was the Rodrigo Fantasia para un gentilhombre, performed in the Green Room of the San Francisco War Memorial. The room is about 60ft x 30ft. It was a small orchestra, about a dozen musicians and the guitar was unamplified. I sat in front, no more than 10ft from the soloist.

Despite the ideal conditions, whenever the orchestra came in with even a soft tutti, it would overwhelm the sound of the guitar. I think a microphone would need to be extremely close, or a pickup directly on the guitar.