Home
AudioAsylum Trader
Classical Court

From Perotin to Prokofiev (and beyond), performed by Caruso to Khatia, it's all here.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

RE: Scriabin's "Le poeme de l'extase" (Poem of Ecstasy). . . with choral parts???

Posted by jdaniel@jps.net on February 16, 2021 at 07:42:49:

I'm a fan of Kitajenko, he mines more orchestral color out of Rach's Bells (Melodiya Lp '85) than the usual suspects of the analog era, Previn, etc.


I was very happy to acquire his latest Bells, which is equally colorful and descriptive, (those cold strings in the 2nd mov't) on Oehems. (sp)

My favorite Scriabin Poem is Sinopoli's white-hot performance with the NYPO on DGG. Best final chord, and should I mention...the merely "present" organ?

FWIW, most all of Sinopoli's work with the NYPO is enjoyable and fresh, without going off the rails. DGG seems to have had its better engineers on hand, as well.

I like Pletnev's organ better but a touch too much lingering before the final chord, (and some IMHO unnecessary compression?) takes a little of the ecstasy off the top.