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It's all about the music, dude! Sit down, relax and listen to some tunes.

RE: "All recordings have their own individual sonic issues and virtues."

Hi guys - I actually agree with almost all of what Scott is saying here as well, especially about the semantics part, and how this hampers conversations about audio stuff, including this one. Most of my post was actually ignored in the semantics discussion that followed. Putting those terms in quotation marks was my attempt to show that I did not necessarily agree with their use in the context (there are many audiophiles who seem to mean by "transparency" or "clarity" simply a lack of surface noise, and I agree with Scott that these are two very different terms, however I would say that no two audiophiles would define them in exactly the same way, either). This unfortunately was not clear - there is a reason I am a musician and not a writer, lol!

I will say, though, that rbolaw restates my main point very well, and correctly guesses that I meant the technology rather than the playback. I still stand by my comment that even the latest greatest digital technology still is incapable of what I said it was (as he says, professionals attempt to compensate for this in a great variety of ways), and for me personally, this is why I prefer analog. Others will not care about this issue whatsoever, and I am not saying they should. If all someone listens to is mostly electronic produced music made in a recording studio, then I would agree that digital is going to be the better technology for that. That type of "recording," however, does not remotely have anything to do with what audiophiles call "the absolute sound," yet another ambiguous term.


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