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RE: Transient optimized chain

So far, I have listened to a handful of Warner's MQA releases on Tidal using the Tidal app's software decoding. I picked ones that I already had on CD and DVD-A or high res download, and where I felt there was a pretty big difference between the CD and DVD-A. Selections were from:

Buena Vista Social Club
Fleetwood Mac Rumours
Yes Close to the Edge
Grateful Dead American Beauty
Phil Collins Face Value
Chris Thile Bach Sonatas

The MQA files sounded a lot like the DVD-A rips/hi-res downloads. I'm pretty sure they were made from the same master files as the DVD-A or download, and not the CD master. I would have to do more careful listening to say whether the MQA files are as good as the DVD-A rips, but they are at least close.

As a compression algorithm, I think MQA is pretty novel, but I don't think it is necessary given the near-ubiquity of high bandwidth broadband connections. Thanks to the demand for streaming HD video, we have the bandwidth we need to stream hi-res audio using a lossless, open standard like FLAC.

As a technology that aims to control the whole end-to-end chain from recording to playback, I think MQA is bad. Digital audio and computer-based audio are thriving because of open standards. MQA is a power grab that would change the landscape into something much more label friendly and not consumer friendly. And on top of that, their choice of system impulse response is just wrong.

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  Kimber Kable  

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  • RE: Transient optimized chain - Dave_K 12:38:08 02/20/17 (0)


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