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Upsamplers, DACs, jitter, shakes and analogue withdrawals, this is it.

I've posted this before. . .

. . . years ago, I was accompanying a cellist for a recording (for her college admissions) at Fantasy Studios in Berkeley (they were also doing the mastering for an Indiana Jones soundtrack at that time), and I asked the engineer recording us if autotune was ever used in classical recordings. His answer was, not surprisingly, "No!".


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