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RE: Very well -- I have not heard the Scaenas or Nolas, but . . .

The Tympany IVa, to my ears, certainly did, but I acknowledge that what you've written allows for the possibility that you never heard those.

Have not. I've heard a range of Maggies over the past forty odd years including the Tympani 1U, Tympani IIIa, MG-II, MG-III, 1.6, 3.6, 20.1, 1.7 and 3.7, but my comments were primarily aimed at current production, aka ".7s".

It is possible that some might describe the phenomenon I heard as "discontinuity" or "lack of coherence" or "disconnectedness between mids and treble"

Perhaps. While Harry made that comment about the 20.1s fifteen years ago, that was not the case with the 3.7 even from six years ago. I'm guessing you didn't read the link I provided to that review.

"In saying it doesn't sound like its ancestors, I mean to suggest, before going into detail that the 3.7s do not sound at all discontinuous as they have in the past, but rather as if cut from a whole cloth. Before this (and perhaps the same with the 1.7, which I haven't heard), the perceptive listener could hear the differences between the ribbon tweeter, the midrange, and the separate bass planar elements, and these differences were audible not only as difference in rise time, but also as a kind of characteristic texture. "

And yet, they still use ribbons. I'm thinking that other speaker design considerations are responsible, not the inherent driver type. I'm not a ribbon apologist having never owned one, but I've heard wonderfully natural top end with great extension more than one loudspeaker employing them. I still find full range electrostats most coherent, but could easily live with 3.7s cum subs or 20.7s. I could not honestly say that about earlier models.

You're absolutely correct that I don't refer to 1985 models like the T-IV.

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  • RE: Very well -- I have not heard the Scaenas or Nolas, but . . . - E-Stat 15:30:06 01/29/17 (0)


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