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You've never answered this question before

So...

...the recording engineer didn't have those concerns when he sat in front of 128 different tone controls on his mixing console tweaking them like mad to get the sound he wanted when he made your recordings.

Besides the obvious facts that not all recording labels use copious amounts of EQ (or at all) or that there are cumulative losses with any kind of signal post processing, why if the engineer had already "tweaked them like mad to get the sound he wanted", do you feel the need to change them? Perhaps you need to join Knob Twiddlers Anonymous.

rw


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