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To my ears...

the Bernstein "New World" has some slight, and not unexpected, tape hiss, but I don't hear anything amounting to deterioration that makes it unenjoyable. There are no discernible dropouts, and the acoustic exhibits none of the "dried-out" characteristic of recordings I've heard where the source has obviously deteriorated (e.g., the Turnabout Johanos recording of Rachmaninoff's "Symphonic Dances").

What you may be hearing is a combination of the mikes Columbia used at the time and the acoustic of Manhattan Center, where the Dvorak was recorded. I've noticed that same-era New York Philharmonic Columbias recorded at Brooklyn's St. George Hotel (e.g., the "Gershwin Rhapsody in Blue" and "American in Paris") have a more "open" feel to them.

I agree that it behooves the industry to DSD-archive classic performances as soon as possible.

--Jim


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