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I agree with you about the presence, not so much about. . .

. . . the dynamics and hall ambience. I'm sure that at least part of this impression is accounted for by the two-channel vs. five-channel systems each of us is experiencing the performances through. Was the Mercury Stravinsky recording you listened to the Dorati/LSO Firebird? The general consensus is that that's one of the best recordings Mercury ever made. (BTW, I think I have about 75% of all the Mercury recordings which were issued on CD or SACD, plus a couple of the Plangent-process hi-rez downloads which derived from the later volumes of the big Mercury boxes, such as the Tchaikovsky Suites with Dorati and the New Philharmonia Orchestra, the Paray/Detroit Organ Symphony, etc.)

All other things being equal however, yes, I do prefer more minimally microphoned recordings, and in that sense I agree with you. Minimally microphoned multi-channel recordings, such as the ones on the Nishimura label (NLA unfortunately), have been produced - but even here, not all of these recordings hit the sonic bulll's eye! OTOH, I have to say that multi-microphoned recordings have gotten better and better over the years, and I generally find the ones made in the last decade or so to be quite enjoyable.

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  Kimber Kable  

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  • I agree with you about the presence, not so much about. . . - Chris from Lafayette 15:46:27 07/13/17 (0)


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