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Kind of a non-issue, at least for me.

My previous preamp (a Sonic Frontiers Line 1) had a phase inversion switch on the remote control. In most cases, inverting phase didn't really make that much difference, in my experience. This may indict the acuity of my hearing, but whatever....

I realize that this does not really address the issue of absolute polarity. However, I suspect that in real-world situations, preserving phase integrity is probably not a top priority at the average recording session. Think of all the cables, the mike preamps, the mixing consoles, and on and (alas!) on. It is possible--even likely--that the average recording comes to us with the phase integrity compromised to one extent or another. I may be completely off base here, but that's my story and I'm sticking to it.


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