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Thanks for an informative and educated view....

...I'm a really small guy, basically thinking of doing 4.0 recording of chamber music and jazz (or perhaps 5.0 using M/S)on my 30ips Otario MX-12 and then transferring to a workstation for mastering. Have considered using Airshow Mastering as an alternative. So to me the opening floodgates are enormously appealing.

I've amassed about 150 SACD titles and 15 DVD-A's, and have yet to hear much in the way of really well-recorded chamber music (I did such recording for about ten years averaging about thirty sessions a year, and have a pretty fixed idea of the kind of sound-capture I wish to achieve).

You are right, though, that 57k state-of-the-art is probably more important to the immediate future, as most decent-sized studios can afford that.
Harry


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