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Re: On the japanese K2 CDs

I found the Crescent and Coltrane digital K2s to be tonally more substantial and warm. By comparison, the 20-bit domestic versions sounded tinny and shallow, a little drier which may have given the illusion of providing more detail. I guess we'd have to hear the original tape to know which transfer is closest to the source, but I preferred the digital K2s. The piano especially had more heft to it. It reminded me a little of the DCCs.


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  • Re: On the japanese K2 CDs - Jazz Inmate 23:57:57 12/27/04 (0)


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