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RE: MQA's claims, published in the January 2018 issue of Stereophile?

It will be interesting to see if Jim Austin's January article on MQA will have anything to do with music. Better yet, MQA's playback performance and any comparative listening sessions.

5 or so weeks ago, Austin stated that he's trying to get his hands on all the MQA reading material he can to understand the technology so he can make an intelligent decision about MQA's value. Yet, he never mentioned that he intended to "listen" to any MQA-related materials.

2 or so weeks ago, Atkinson in response to you, said he was going to take your concerns and the concerns of others in this thread and perform due diligence and listed a handful of things he intended to do regarding MQA. Yet, he too never mentioned that he intended to "listen" to any MQA-related materials.

It just seems too coincidental that Stereophile seemingly routinely overlooks their entire purpose for existing - to review a product or technology's audible performance. But apparently that's too difficult.

And then when Atkinson endorses a product or technology for its musical performance, it's an unbelievable nonsensical over-the-type hyperbola that makes no sense to anybody.

All over the map, no consistency, the name calling, the straw man arguments, the obfuscations, the obtusity, the alligations of wrong motives toward others that they themselves may well be guilty of, etc, etc. I just don't get it. Well, I do actuallym get it, but still I just can't believe they are so in-our-faces with their seemingly dime-store psychology and this carelessness for audible performance.

Go figure.

It all just makes me think matters in the industry are far worse than I thought they were 6 weeks ago.

But again. I really do see MQA as a blessing-in-disguies to help expose all this crap. If it weren't for MQA, we'd be in for another 10 years of them getting away with this behavior and the industry would just become that much more dumbed down.



Edits: 11/26/17

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