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RE: The Rooze

Can't speak for DR, but I found it worked well with the speakers about 2/3 of the way back in the room and towards the center a few feet apart, and me maybe 1/6 of the way from the back wall. Critical geometry consisted of making sure they were edge on to me. That put the front room corners near a null. Fussing with position altered the apparent lateral position of instruments, and the spread around the walls, according to conventional rules -- at under 10 ms, reflections cause source location to move in their direction, and in this room, the front reflections were < 10 ms from the sidewall reflections, so as I altered speaker angle, the image tended to shift towards the area of the front and side walls that were most heavily illuminated by the backwave, e.g., the area that corresponded to the maximum of the figure 8 pattern.

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