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Planar Speaker Asylum Welcome! Need support, you got it. Or share your ideas and experiences. |
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In Reply to: Re: QUAD ESL63 Meets the SWARM posted by Mickey Bob on April 2, 2007 at 14:46:28:
Forgot to thank you for the initial review. Thanks for spending the time that it took, well spent, I'm thinking.And, thanks for the response to my question. As you know, bass, as we percieve it, has a pretty wide range. That's why I asked the question. A bass violin or bass fiddle or acoustic string bass usually has a range down to 42 Hz and up. Naturally, in a sub-woofer situation (really, with 63's we're talking about a "woofer", I know, I've owned them), when an acoustic string bass is playing, everybody is working, the 63's AND the extra woofers. I just wanted to make sure that when that happens, the image of the bass instrument was not wandering around in the soundstage because two very different drivers, in very different positions, are handling this transition. I'm guessing the success of the transition must be attributed to the crossover. Do you think this is what's happening?
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Follow Ups
- Re: QUAD ESL63 Meets the SWARM - Travis 16:31:17 04/02/07 (2)
- Re: QUAD ESL63 Meets the SWARM - Mickey Bob 16:41:48 04/02/07 (1)
- Crossover thoughts - Duke 18:08:47 04/03/07 (0)
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