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In Reply to: SACD-like TT rig for $1500? posted by Timinator on July 16, 2006 at 18:05:34:
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John, some months back 'mikel' offered to demo his super system for you....did anything ever come of that offer?
If that audition took place, can I presume you were not impressed with the Rockport vs mikel's high end digital gear?
System Details
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Hi Paul,Actually, it seems to be very difficult to schedule a date for this audition and recording session. Mike is a very busy person and it seems he is again in the process of changing speakers. I thought we were going to get together in August, but I haven't heard back from Mike so I expect our get-together might slip into September or October. By that time Mike should have replaced his present Von Schweikert VR 9 speakers with the top-of-the-line VR 11 speakers.
I have no doubt that I will be extremely impressed with Mike’s system. It is simply one of the finest in the world. The Rockport Sirius III is probably the finest turntable in the world, too. However, the question is whether I can copy the sound of his vinyl front-end onto Redbook digital. Personally, I think I can do that, but I won’t know for sure until the recording session convenes. At any rate, it should prove to be a lot of fun.
Absolutely true about Noise Level, just look at the specs. But, I've never seen a quantitative description of 'detail'.So, what do you define as noise? I'm not certain where one might draw the line between low-level detail and noise. Certainly the all-zero blankness that only digital can provide is noiseless, but what's missing?
My own preference is for tape-hiss vs. silence. With an analog source, you're working with the complete set of information; the resolution capability of playback equipment determines how much of that information is revealed. With digital, at best you're working with an approximation; information is irretrievably lost and you can never get it back.
> With digital, at best you're working with an approximation;
> information is irretrievably lost and you can never get it back.Unless you are listening to the original live performance, you are listening to an approximation regardless of format. However, high-resolution digital will always provide a more accurate approximation of the original than will vinyl.
Die Röhre, The Tube
Stuttgarter Kammerorchester
Works by Boccherini, Sammartini, Scarlatti, Handel, Vivaldi, Biber & Corelli
SACD / CD Hybrid: Tacet S 74
LP: L 74The LP has many intricate small sonic details the SACD only hints at the CD misses completely. And while the strings on the SACD are smooth wait until you hear the LP!
This is one of the best SACDs and one of the best LPs I've ever heard. Plus the Vinyl is dead quiet on this LP as well.
Happy listening,
Teresa
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I have and in most cases the LP has more resolution than the excellent sounding SACD.Virgil Thomson: The River (Vanguard SACD versus Analogue Productions LP)
Any Groove Note LP versus the Groove Note SACD.
The Classic Records Living Stereo LPs versus the Living Stereo SACDs.
Any Analogue Productions Originals LP verses the Analogue Productions Originals SACD.John the only exception I have found is the Classical Columbia/Sony SACDs do sound better than the Classical Columbia LPs. However the Franklin Mint LP versions from "The 100 Greatest Recordings of all Time" beat either one.
Don't get me wrong SACDs sound superb, but they do not have the resolution or sound quality of the best LPs.
"assumption based on the superiority of Redbook to vinyl"That's quite an assumption considering it's more in your head than anything else.
Multi kilobuck analog rig and you still haven't heard what vinyl is capable of. How sad.
You should, you keep spouting that shit that they've been claiming for the last 20 years or so. If you think redbook is superior, you need help, seriously. Why are you here? Why do you have a 15k turntable?
Bill
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some people have not had any hands on experience but are full of opinions. We got a name for that ...
And with the best LPs in noise level as well.For example on the RCA Living Stereo recordings, Classic Records 180/200 Gram versions have lower overall noise than the RCA SACD versions. The LPs have almost no surface noise and extremely low tape hiss and when both are combined they have lower noise than the tape hiss on the RCA Living Stereo SACD versions.
Also don't forget LPs have greater impact on percussion strikes, faster transient response I believe? And a little more delicacy in the highs.
Don't get me wrong SACD sounds fantastic, their greatest strength being in the midrange.
And of course I am only talking about the best LPs and the best SACDs. There are lots of lousy recordings in both formats, more so for LP just because it's been around longer.
So Timinator should be able to surpass the sonic qualities of his $1,000.00 SACD player. The Xindak SCD-2 SACD player retails for $1,699.99, and the original retail of the Sony DVPS-9000ES was $1,499.99 and my $629.00 Music Hall mmf-5 turntable easily beats both of them.
but i am sure there are dissenters to your opinion, mine included.
...regards...tr![]()
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And bullshit.
Bill
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Many of us have compared SACDs versus the Audiophile LP versions and found the LP to have the most resolution and best sound quality, even in the case of DSD mastered recordings. The advantage of SACD is for titles not available on LP.So yes your incorrect “inflammatory” statement would make you a troll, sorry.
we know which commercial LP pressings sound good and which don't.And audiophile pressings tend to have the deeper bass Digital listeners are used too. That way they can hear bass that is not only deep but also sounds real as well. And IMHO audiophile pressings have less noise but reading further down this is not true with all stylus shapes and cartridges.
Detail should be easy to beat but not the noise level or noise floor. Besides, he's(origial poster) gonna get a table to make MP-3's so whats the point?
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