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In Reply to: RE: Streaming it now on TIDAL... posted by Ivan303 on May 20, 2017 at 12:48:02
Oh, I love that sort of thing. Just barely cracking the code of Gerontis. Britten's did it for me, the Barbirolli.
Seriously,Aposlles proves that Elgar could orchestrate after all. : )
Follow Ups:
Just wondering! :-)!
Warmest
Tim Bailey
Skeptical Measurer & Audio Scrounger
I did have an orchestration course in college. It was actually a lot of fun. The text we used was Walter Piston's book, and our final was to orchestrate a short piece of our own choosing (although the teacher had to approve it) which we were then able to hear played by the student orchestra - this was just as music notation on computers was beginning to be developed and it wasn't available to us. So there was a lot of tedious, manual copying of parts! I chose a song by Liszt (the ONLY one he ever set in English!), "Go Not, Happy Day", to a text by Tennyson. (BTW, that's an interesting story in itself: Liszt's effort was part of a birthday celebration for Tennyson where a dozen or so composers set the same text (i.e., "Go not, happy day"), including Liszt and also Britten's teacher, Frank Bridge.)Speaking of Richard Strauss, his revision of Berlioz' book on orchestration was (and is) available, as well as Rimsky-Korsakov's book on orchestration, wherein he (very modestly!) used examples only from his own works!
Edits: 05/21/17 05/21/17
And in order of their importance, of course...
Only Janet Baker should ever be allowed to sing the part of the angel.
That said, I'm guessing the most important performance of the piece is on the YouTube video below:
View YouTube Video
Sir Colin Davis, BSO in Boston, 1982.
One for the ages.
jm
Did she ever record it?
Afraid this is the best I can do from Sir Colin Davis.
Available for streaming on TIDAL
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