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In Reply to: RE: well, typically posted by wazoo on January 13, 2009 at 04:26:39
However, I'm not sure I agree with your statement that "It's actually the 2nd point that can be the more problematic in a 3-way".
If you want to be "theoretical" about it, I suggest having a crossover anywhere in the human voice range - say, 150hz to 2,500hz - is not a good thing. So having the XO from woofer to mid on the Linkwitz "Orion" & the John Kreskovsky "NaO" @ 120hz is better than having it @ 340hz on my IIIas.
Likewise, the XO between mid & ribbon on my IIIas is set @ 2,600hz ... which I reckon is better than the 3.6, where it is down around 1,800hz. (And the NaO is 2,500hz compared to the Orion's 1,500hz.)
Regards,
Andy
Follow Ups:
I'm not sure I agree with anything I say ;- )
I initially read that there was a single woofer. Now I read that there are two. That changes things, but I think I'd want to keep them fairly close (each 'sub'/sat pair).
"Jazz is not dead - it just smells funny" FZ
Why? They don't really look that close in the demo pics.
They also had two woofer enclosures for a total of 4 woofers so each little panel had two woofers supporting it.
Woof, Woof
"If people don't want to come, nothing will stop them" - Sol Hurok
300Hz is above a middle C. If I put on a blindfold and then spin around a few times (so that I'm disoriented with regard to where things are) and my daughter hits a middle C on the piano, I can point right at it. Drop an octave to a C3 and I still can. My point is that these are highly localizable frequencies, so they shouldn't be coming from different points in the room. At least, that's what I think - I'm not sure I'd pay much attention to me however ;- )
"Jazz is not dead - it just smells funny" FZ
Edits: 01/13/09
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