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Some EAW horns have none? correct?they have 'stiff suspension'
How 'stiff' is stiff?
my 2226 wants a huge basshorn rear chamber volume,why not only front load it? i know il have a lack of subsonic loadingsWhat about the Fc and midbass?/???
How to model? what can i expect.? no reactance anulling possible...severe lack of response ?? even in midbass??
Follow Ups:
HiIt is both the "high pass" nature of the horn's radiation resistance AND the reactance's acting on the radiator mobility that sets the low cutoff performance of a given horn.
While the radiation resistance is related to the size and expansion of the horn, the reactance that is acting here is the sum of both the suspension spring force and enclosure spring force (in parallel) which sets the total compliance or reactance.
In this light, one can see that if the driver suspension is made increasingly stiff, the compliance eventually reaches the same point it would have previously with a sealed back volume.
Bassmaxx has several horn loaded systems which have an open back and the old Scoop or "J" bins which were popular in the 70's did as well.
Any back loaded horn system which has both a direct radiation and horn loading is an acoustically identical situation in this regard.There are several reasons one could argue that suggest this is not the "best" way to go.
So far as measured coherence, one finds the direct radiation is "ahead" of the horn radiation by a time corresponding to the horn path length difference.
This "pre echo" signal may even sound good in some situations however it would be hard to argue that spreading any signal out in time to any degree makes it more faithful to the original.
Also, this double path is like a transmission line in that there is a defined bandwidth where cancellation does not occur and past that the system interferes with it self.
If that system is large as in Pro-sound, the multiple sources also cause interesting polar patterns and radiation lobes.
So far as distortion, the air spring one has in a sealed and ridged back volume is more linear than a driver's suspension (at the same excursion), especially if one is dealing with a driver that is made to be "beaten on".
A much better approach (I think) is to use a high compliance driver in a sealed box like in the LAB sub or any of our stuff at work.Several subwoofer shoot-outs have been held by members of the Live Audio Board, two things stood out.
First, the B.M and Lab horns smoked all the other subs tested.
Direct radiator systems had WAY more distortion than the horns at a given level and that was quite audible as well as measured.
Second, that the Lab sub with it's 2 12's, produced a little more sound with a little less distortion and a flatter response than the B.M with it's exotic Aura and / or McCauley 18 inch driver..
This seemed odd to many as the displacement of the 2, 12's is less than the 18's used.
The difference is that the 2, 12's had an acoustic impedance which asked for a greater compression ratio and so for a given displacement produce more acoustic power and by having the impedance's and reactances more closely matched, gave a response which was flatter deeper, and on average more efficient.
Hope this helps
If the horn is long enough and has a high length to cross-section ratio the air column of the horn is so stiff that reactance annuling has little effect, pushing the Fb up by only a small percentage, and conversely performance above the Fc is not significantly different with the rear chamber being left open. However, without the stiffening of a sealed rear chamber there is the problem of the driver being unloaded below Fc, so care has to be taken or serious overexcursion can result. As for EAW I'm not aware of them using any boxes without rear chambers.
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As for EAW I'm not aware of them using any boxes without rear chambers.
oh perhaps i confused them with BASSMAXX..
Ive found that the horn required for the jbl to reach 30hz with some wobble,is ~700L about the same as one WITH a rear chamber :-P
it looks like it wont be of any use,as i simply must have 30-35hz ,because i have 40hz already with my miniature basshorn.
a 40hz horn for the jbl would be worth it ,if small enough -300L....
CHeers!
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to get the kind of SPL they claim from two cabinets that large isn't really all that impressive.
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Im not a salesman of bassmaxx,i just want to front load,no Vrc on my jbl2226 in a tiny 30hz horn :-)as u can see in the reply to GM it sorta works,id use a subsonic filter...but its too huge-the throat area = sd so the horn is fat from the start,and just gets fatter!
lab12 is the anwer it seems
:-)
440$ NZ for the lab12 ugh!
How about the Altec A7 (825/828) cabinets are front loaded and rear reflex.
Ron
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hey Mike -think Bassmaxx used both Aura and an Eminence at one time with success so guess was a long scoop - dunno 'bout EAW - not seen info -
re:Bassmaxx approach - oughta be something in the archives under tomservo's and djk's comments
fwiw seems like bassmaxx slope on graph in sub-shootout appeared shallower - not sure what happend to distortion , etc. - might be subjective thing and how mates up with room
Search! thats an idea! ugh completely didnt think.!4am brain not going
In Reply to: Re: Whats the low-frequency slope of BASSMAXX One's? posted by freddyi on August 24, 2003 at 11:41:27:
> what T-S might the open back case "like"?
One example would be:
30Hz-200Hz
Sd:800cm^2
Re:6ohms
Athroat:160cm^2Qes:0.72
Qms:12.5
Vas:16.8L
Fs:77.5Hz
Bl:18.6Tm
Mms:224gmSystem efficiency of ~44%
John
:-O is that the woofer specs they use!!
crazy! high Fs tiny vas high Qts!!!!!!!!!!my jbl isnt quite like that :-P
Fs=40
Qts=0.33
Vas=175L
xmax=7.6mmCheers!
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What's your performance goals? Any driver can be effectively used open back over some BW.
30hz-90hz
While the required flare rate is 6.6Hz to keep the system balanced, you can't have an Fc below Fs, so based on published specs, 40Hz is it.
And the reason is that once you mate the driver to the horn the horn air mass will push the Fs down. The drop can be as much as an octave.
This doesn't alter your choice of flare rate to achieve a certain Fc but does affect your choice of driver to mate with the horn.
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Not so with an open back, i.e. backhorn. Even if you make Fc < Fs, dipole cancellation will negate it.
Any horn loading, whether it be on the front or rear wave, will lower Fs, the amount depending on the mass and impedance of the air column involved. In the case of a fairly short scoop style of horn the Fs might not go down more than 10% or so but go down it will. Part of the trick of designing horns is being able to anticipate how much the Fs will drop for proper driver matching to a particular horn.
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Hi GM thanks alot for the tips.you can't have an Fc below Fs
why
1)is it impossible or
2)not optimalhornresp shows it doing something...
IF i could use the jbl some how,instead of buying the lab12 for now,as i am suddenly low on cash-moving into a flat soon-unexpectedly..i think my basshorn times maybe over..
maybe 400L lab12 horn,but thats the volume limit.the jbl horn has no chance of being that small and similar response
Cheers
Mike.e
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If you want the driver to be linear (lowest distortion) then you have to use a flare rate/Vf/throat that keeps the horn from modulating it. To do so, Fl must = (Fs*Qes)/2 and Fh = (Fs*2)/Qes. To get to 30Hz, you can mass load the driver to a 30Hz Fs and adjust the T/S specs to get the new horn parameters.Using published specs, lowering Fs to 30Hz requires 78.48g, ergo Qes' = 0.44, Qms' = 6.667, Qts' = 0.413, Fl = 6.6Hz, Fh = 136.36Hz, Vf = 322.3in^3, St = 62.687in^2, M = 0.526.
Now it's just a matter of 'slicing' a 30Hz horn out of a much larger 6.6Hz one, but yeah, it's going to be bigger than a compression driven one since the driver doesn't have much of an air 'spring' to help it.
GM
GM can you direct me to a File/link/AES file that will help me out in this area?Fundamental horn stuff,that i simply cant know as there is no 'Horn cookbook' like there is for other subwoofer types.
I was going to buy some horn AES files,but theres so many i dont want to buy pages of derivation with no laymans walkthroughs--> slight mathematical details and descriptions and images.
Deriving the 1p wave propogation differential isnt practical to me -yet-i need more horn-infant-info.
=harry olsens book???Cheers!
Not really, I mean there's ML's papers, and papers for CD designs, folding, end correction/termination, etc.. Not that they helped me learn the basics though. In my ignorance at the time (decades before I got on-line), I figured that since some of the best performing horns ever designed were the early ones designed by structural and/or mechanical engineers, that's where I needed to go look for answers, then built many prototypes to see what worked.GM
I put my trust in mcbeans program and my exporting to CADI have JUST enough knowledge to model with success...
anyone can model in hornresp or winisd,but to model in the correct manner with informed decisions,is quite another..
:-)
I think the lab12 horn is calling me,~400L the jbl can stay in its EBS box and wait for a 240watt plate amp :-)
Cheers
Mike.e
Mike: if it looks like you are really moving into a small flat soon can we interest you in modeling a Karlson cabinet? The X15 would be a great place to start. Rewards are great too, much appreciation from Karlson fan club. Mail me for details. regards Moray James.
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i'm thinking about a k15 with a k33e driver...iv'e asked for tips on setup and tuning on the karlson forum and got some good advice from freddyi and otherswhat drivers are in your karlson, how did you set it up/tune ports, listening impressions?
do YOU understand how they work....i mean how can you stick any driver in karlson cab and get a result...is it sorcery
seriously can you predict the result from the t/s parameters...if so ..how so?
cheers
Gary
p.s (was kidding about k-slots on p.c speakers! just gently mocking freddys karlson obsession...hope to get "on-message" soon)
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Hey Gary: I built a set of K15 with a slight twist. I used a set of Selenium 15 drivers (the exact model escapes me now) and I set up the K box so that the back cavity volume was the same as called for by Seleniun to run the driver in (recommended) reflex box. I tuned the vent a bit lower than the recommended vent tunning. I worked out all the volume ratios so that the new design (very close to stock) kept all the chamber to chamber volume ratios the same as in the stock cabinet. The resulting cabinet size was very close to the stock K15. Driver Fs was around 40 Hz. Later I made 12 inch adapter rings and tried out a set of ADS 12 inch drivers with an Fs of about 28 Hz. The ADS drivers went deeper and also went up a lot higher too. The ADS 12 inch drivers did have a lot more cone travel on peaks probably because they were not damped well by the reflex tube which had been set up for the 40 hz Selenium I asume. Both played very loud and had very good impact, great slap on kick drum and real whack on rim shots. Re the K5's the fostex fe108 sigma which has an fs of 80 Hz made very respectable bass in the scale K15 boxes. I do think a 3 inch driver would be good in a small k cabinet but the little cube speakers and small computer Monsoon planer speakers are so small and sound very good you would have to ask why put up with the bigger box?.
Do I know how they work? No! Do I think they are worth working on? Yes. Still seems to be trial an error so far. Perhaps if enough folks tried there might be a reason for someone to build a working model. I can only hope. Regards Moray James. ps there are T/S parameters available on drivers which have in the past shown to be sucessful so one can find comparable new divers to try out.
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i dont have much to say,only a link as i only just started reading about Ks\:-)
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hey Mike-e - if downsizing from horns for a while - do ~B6 reflex for 2226 as 'compromise? - whaddya think?should get ~1/2 octave extension and suppression of outta-band junk and not worry 'bout group-delay/phase issues
got quick way to kludge-EQ 2226 reflex as B6?
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