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In Reply to: Coherence and Speed posted by jusbe on April 15, 2000 at 19:03:57:
With the caveat that my Lowthers have only 65 or so hours on them, I'd offer the following.The transition, which by no means is complete (there will always be a place in my home for Spica's), was actually easy. To my ears, the Lowther/Medallion II's are hot-rodded Spicas. The primary differences are that the Lowthers are more detailed with a larger scaled presentation. While neither Spica is gonna do much below, say, 45 hz., I nonetheless find the Lowther bass range more revealing and satisfying, though subjectively I don't think I'm getting below 65 hz. The bass range is well balanced against the rest of the spectrum and better integrated into the sonic fabric. After only 60 or so hours, the rather large Lowther/Medallions don't vanish into the presentation with quite the aplomb or consistency of either Spica, but speed and attack are superior, rendering the "eyes closed" presentation more compelling. Of course the Lowther/Medallions are easier to drive and more dynamic, both micro and macro, than either Spica.
I well understand what you mean by "speed"--the accurate alignment of harmonic structure--which I believe to be an unattainable ideal. Never in my life, for example, have I heard a hi-fi reproduce the bass range and power of a 10 foot grand, nor do I particularly expect that of my system. The "coherence" of which I speak, however, has little to do with accurate bass reproduction. So long as "what bass there is" is well balanced and integrated, along with the mids and trebles, into the sonic fabric, then I'm satisfied with the reproduction. Thus far in my twenty years as a music-lover, only Spica's and now Lowthers (perhaps only--it's still early in the game), have taken me there. I've owned many others, including Maggies, Thiels, Acoustats, etc., that have proven less satisfying, to me that is.
I'm with you all the way on the subject of harmonic alignment, that coincidence of the full spectrum of an instrument's sound - and I hear what you say regarding the unattainability of the fundamentals of a 10' grand. I guess I'm saying that this unity of sound to which I refer is infinitely more musically informative than the pursuit of holographic soundstages (where you feel its possible to walk a round the performers but still not comprehend or empathise with the melodies or harmonies).I may have the opportunity to hear the Strumenti Acustici di Precisione Quartettes hybrid horn speaker in Italy later this month (2 5" full-range drivers, tactrix horn-loaded cone tweeter, horn-loaded piezo-electric supertweeter, separate 12" paper and foam bass drivers; www.sap-highend.com). But I wonder whether its all worth while, and whether I should investigate something like the Beauhorn Virtuosos with Lowther DX4 drivers? I can't tell you how disappointed I am with the music (the sound is wonderful, if you like that super widescreen panoramavisio kind of thing - and I've realised the hard way that I actually don't care for it much) that I squeeze out of the Audio Physic Virgo 2s.
Being no bass afficionado, and adhering to the "less is more" philosophy, I would choose not to pursue a lossy, multidriver speaker system. I have neither the room nor the $$$ to do it right, if doing it right were possible. But DX4's in a Beauhorn? The shortest path between two points is a straight line. Enjoy your search.Regards,
Jim A.
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