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In Reply to: RE: Peaks posted by Rafaro on April 19, 2017 at 19:09:15
I don't know what the problem is with that post. Try as I did, it doesn't show up correctly on my 'puter. Here is more-or-less what I intended:
"Your points are well taken in general horns don
OJK, it still doesn't show up correctly. Maybe there's a goofball character which is screwing it up.
Anyway, part of what I wrote was that I think Tom has a good horn design idea. I just don't think he knows everything or is a god of loudspeaker design, and it's irritating that he says I don't know what I'm talking about. As a musician and recording engineer (read my profile), that's a big slap in the face.
Regardless, based on the words you posted, it would seem you have a fragile ego and have a huge tendency to over react negatively and insultingly to anyone's perceived verbal shortcomings while trying to make their point more clear to everyone here.
Yes the message posting seems to be going crazy. I read Tomīs postings to you. He is a teacher by nature and was just making sure you got the meaning of what he was saying. Think of all the effort and time he took to pass that info to you. How may people would care or even try. I have never in more than 10 years of posting seen him insult or treat somebody as ignorant or inferior!
Today itīs still not widely known about the "silent unheard" instantaneous short term peak in the dynamics of sound events. It certainly was not tought in Sound Engineering when I was there. Mr Burwen was way ahead of his times trying to reproduce this in the 70s. Only in the late 80s and 90s was it really talked about a little. Like Tom pointed out our hearing is not linear but varies in sensitivity with volume, freq and time and will not "hear" those "instantaneous" dynamic peaks yet recordings will be "perceived" to be more realistic when the equipment can reproduce them. Just something to keep in mind especially in Sound Engineering. Best
"Today it's still not widely known about the "silent unheard" instantaneous short term peak in the dynamics of sound events"
That's is probably true for live or live mic feeds but with recorded music it's easy to know where they are and it's easy to see them.
In the age of digital recording and CDs, we know that the highest peaks are all contained within peak output of the CD player.
If a system has a gain structure such that amplifier clipping cannot be reached even when the CD player is output it's max (recorded signal at digital "0") and the volume control is turned all the way up, then we know for sure that those "instantaneous short term peaks" are being reproduced without the amplifier clipping.
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