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In Reply to: RE: Did you happen to follow posted by E-Stat on January 26, 2020 at 15:55:16
Thanks for linking back to the article. If you read some of the comments below the article you'll see this one about MQA Authentication from mastering engineer Brian Lucey.:==================================================
Warren Mc says:
Brian,your comment about authentication leads to the broader question of provenance. What level of documentation is going to be required, to support the blue light? It's easy to set a bit of metadata on a file to say it's authentic, but who authorises the engineer to mark the art as authentic, and what proof of the production chain integrity do they need? We had all this already with the Chesky HD Tracks up sampling debacle, except in that case the fudged output was observable with tools. How would we do that with a proprietary lossy process?
Cheers, Warren
Brian Lucey says:
I have authenticated nothing here, and my work is on Tidal as MQA. Nuff said.
Edits: 01/27/20Follow Ups:
Maybe That's why he wasn't contacted for Authentication.
"Does Brian Lucey Own the recordings he's made?"
I don't know.
" Maybe That's why he wasn't contacted for Authentication."
If he was the creator but wasn't contacted for authentication (perhaps because he no longer owns the rights to his own work) then who "Authenticates" it? Anyone who says it's authentic?
In my opinion:
- MQA is a solution to a problem that doesn't exist.
- MQA is a smoke and mirrors process for the purpose of generating licensing revenue for its creator. Fold, fold, unfold, unfold. Why?
- MQA is deep in proprietary technology (wear your high water boots) but in the end offers no sonic advantages it purports to offer.
- MQA offers no technical advantages over plain unadulterated hi-res files for downloads or streaming.
I didn't follow the Q&A below the article proper.
MQA is first and foremost a revenue model.
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