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In Reply to: RE: Agreed. But that means actually listening to and living with the music, as opposed to writing about a snippet posted by jdaniel@jps.net on April 15, 2021 at 06:17:53
-from the guy who "authoritatively" judges new releases via snippets on a download site!
BTW, that guy who writes about a snippet heard on the car radio 30 years ago wouldn't also be you, would it? ;-)
Follow Ups:
and accellerando? Come on. The real issue was that I stepped on another beloved 5 channel release, Gardner's Berlioz Requiem. I had the audacity to say that I would have preferred a little more accellerando into the brass fanfare, though I don't know what the score calls for.: )
Wouldn't it be amusing if your anti-hip music web reviewer bombed that one as well?
Yeah there's no way you can really grasp the full measure of HIP without living with it for decades. Not living beside it, or across the street from it, but amassing a collection of depth and breadth; similar to the way one gets to know Mahler performing practice, from Scherchen, Rosbaud and Adler in Vienna to Dausgaard in Seattle and all the successes and failures in between.
No one has ever said that YouTube is incapable of capturing tempo, rubato, and accellerando. Where did you get that? I HAVE said that YouTube is incapable of capturing the subtleties of a performance, but that's no reason for you to make this other stuff up. And the fact that you don't like some accelerando in Gardner's Berlioz Requiem is hardly an "issue" for me - you flatter yourself. ;-)
And your last paragraph is nothing but silliness. I've had in my actual library over 80 performances of the Mahler Fifth (every one of which I've listened to), including the Scherchen VSOO. You? (Actually, it's probably not a good idea for you to go down this road.)
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