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In Reply to: RE: Didn't see this coming, blockbuster Strauss and Scriabin from Seattle? posted by jdaniel@jps.net on October 22, 2020 at 08:14:13
Believe me, I'm tempted by this new title (and Acoustic Sounds even offers it in MCh). But the Dausgaard recordings I've purchased have not been impressive to me, especially his latest on BIS: a light-weight run-through of the Bruckner 6 which trivializes the music and loses all kinds of articulation. And it's not just his rapid tempos - Janowski on Pentatone takes similarly fast speeds, but imposes enough discipline on the OSR so that they manage to maintain fairly clear articulation. Not so with Dausgaard - his Bruckner 6 is a girlie-man performance.This is certainly one case where I plan to take Ivan's recommendation and listen in stereo on Qobuz first before I commit to shelling out any money for the MCh download.
(In the meantime, I'm still working my way though the 55 discs of the complete Previn RCA/Columbia recordings. He did a surprising amount of Chamber music on those labels and, last night, we heard an absolutely super performance of the Saint-Saens Septet - the one with the trumpet - where Previn plays the piano part magnificently. This is absolutely the best recording I've heard of this work! We also liked his performance, on another volume of the set, of Schumann's wonderful Piano Quartet - even though the performance is not my top favorite, it's still extremely well done, and the same album includes a performance of ANOTHER piano quartet which Schumann apparently wrote when he was only 19. Schumann wasn't quite the prodigy that Mendelssohn was, and this early piano quartet has hardly any of the characteristics or turns of phrase we associate with Schumann's music. But the performance of the Op. 44 Piano Quartet certainly seemed marvelous. BTW, sorry for going off on a tangent here!)
Edits: 10/22/20 10/22/20 10/22/20Follow Ups:
who need disciple imposed by a non-girlie-man authority figure.
Have you ever been in a professional orchestra?
You have some, to quote Homer Simpson, Crazy Ideas.
What about Manly-Girls?
"but imposes enough discipline on the OSR"
"Not so with Dausgaard - his Bruckner 6 is a girlie-man performance."
The San Jose SO - an orchestra which, although it unfortunately no longer exists, was founded even before the SF Symphony.
So I see you were triggered by my description of the Dausgaard and Janowski performances. Why do you think that some conductors (let's say Szell) consistently attain better disciplined performances than other conductors do?
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