News Asylum

The latest in breaking audio industry news. You heard it first, right here.

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.
You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login

By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username: The Name that you picked or by default, your email. Forgot Moniker?	Examples "Rapper", "Bob W", "joe@aol.com".
Password:	Forgot Password?
	Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:
Your Email:
Subject:

Message Comments

Original Message

You raise a good point

Posted by Presto on October 7, 2011 at 12:19:28:
In some (rare) circumstances, I've had resampling situations that actually resulted in a PITCH CHANGE. How noticeable is a pitch change from 44.1 to 48 or 48 to 44.1? On unfamiliar material, it might go by unnoticed! (This is what, like a "half" semi-tone in pitch change??)

So another test would be to play 44.1 and 88.2 of the same material to make double-sure there is no pitch change going on.

With DTS passthrough test, though, ANY resampling or ANY volume bit change (any change at all, then) will result in thissssssssssss.

It's a good test! And I've tested the test too... :P

You're right, but I would add:

-Trust OR
-Verify using a proven test method

Cheers,
Presto