Home
AudioAsylum Trader
Music Lane

It's all about the music, dude! Sit down, relax and listen to some tunes.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

Thanks, those were the details I was after. Listened to the Roth this morn: still think Munch '54 captures

Posted by jdaniel@jps.net on June 17, 2017 at 08:38:36:

the wonder, mysteriousness, and darker, danker elements better, such as the low harp plucks and string glissandi transitioning into the opening of the Sunrise theme.

The original instruments weren't as clarifying as I'd hoped, but the opening flute solo was very transporting, boring bits of the first act still a bit boring. A very "bright" take on the entire sunrise scene, much like Monteux's but not as expedient: very sensitive phrasing/shaping of the long lines over the woodwinds warbling. (I listened to Cluytens in the same section and he takes it as a faster clip; not my preference.)

I had the Boulez on Lp and thought he made the best case for Act One.