Home
AudioAsylum Trader
Music Lane

It's all about the music, dude! Sit down, relax and listen to some tunes.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

I have his whole Ravel set cobbled together on plain old CD's

Posted by Chris from Lafayette on June 16, 2017 at 09:53:21:

And I had Cluytens' Daphnis et Chloé very early on in my LP days. At that time, I was somewhat disappointed that the performance seemed so laid back compared to Munch and (in the second suite) Paray, but over time, I grew to appreciate the Cluytens performance more and more. I still like these performances - they're slower, and, as you say, more evocative than some of the higher-powered recordings of this repertoire. They also feature those piquant tones of the old style of French wind and brass playing which was shortly to disappear. (There was already much less of this individual tone quality in the Martinon set recorded a few years later - nevertheless, I still have Martinon's Daphnis too (on a quad DVD-Audio). I'd say that if you like the woodwinds and brass on the old Suisse Romande recordings, you'd like the Cluytens set too.

BTW, I just got that Praga re-master of the Monteux/LSO performance (originally on Decca/London) and I'm really pleasantly surprised by what a great job that Czech guy did in the re-mastering. I wonder if Praga licensed a copy of the master from Decca or if they used a commercial reel-to-reel tape as the basis for their own reissue (à la HDTT). Whatever they did, it sure turned out well!