Home
AudioAsylum Trader
Music Lane

It's all about the music, dude! Sit down, relax and listen to some tunes.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

Not too impressed by Manze's VW London Symphony

Posted by jdaniel@jps.net on June 4, 2017 at 13:40:04:




Not enough swagger and audacity in the first movt. Even Haitink projected those elements more persuasively in his EMI recording.

The Liverpool's phrasing and articulation under Manze in the 2nd movt are IMHO too "squeaky-clean" to cast a proper spell. The rather dry recording exacerbates the issue, at least for me.

I downloaded a sample of Previn's 1st movement opening (RCA) at HDTT and much preferred it to Manze's.

All that said, the Brit critics love it, even Lebrecht.