Home
AudioAsylum Trader
Music Lane

It's all about the music, dude! Sit down, relax and listen to some tunes.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

Poulenc and Faure Music for Cello and Piano: Wonderful

Posted by jdaniel@jps.net on May 29, 2017 at 20:02:24:




The rather substantial Sonata for Cello and Piano is classic Poulenc: Tart and playful at one moment, meltingly-lyrical the next.

The slow movt conjures images of two lovers enjoying a sultry, summer evening. Titled "Cavatine," it opens in magical stillness, (you'll hear a few echoes of the Concerto for Two Pianos), and then the tremulous love-making begins. The movt actually strikes me as being very "adult" for Poulenc: There's none of his usual ADD; no obligatory Poulencian giggles break the spell.

The Faure pieces include his very haunting "Elegy" and "Sicilienne," the latter adopted from the composer's Pelleas Suite.

Finally, little sips of Dessert Wine served up by Kavakos: a series of ultra-short sketches, some of which are quite pleasant.

The recording is wonderful. The piano and cello weighty and resonant; no clanginess, no wispiness, harshness or graininess.

The Soloists, Siranossian and Fouchenneret, prove once again that the future of "Classical" music is in very good hands.