Music Lane

It's all about the music, dude! Sit down, relax and listen to some tunes.

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.
You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login

By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username: The Name that you picked or by default, your email. Forgot Moniker?	Examples "Rapper", "Bob W", "joe@aol.com".
Password:	Forgot Password?
	Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:
Your Email:
Subject:

Message Comments

Original Message

RE: Uh. . . I think we're in agreement that one can use vibrato. . .

Posted by rbolaw on April 8, 2017 at 18:27:35:
Yes indeed, but I was trying to say, it's no accident that more judicious use of vibrato, or lighter vibrato, lower pitch, and smaller ensembles and/or original instruments that are generally less powerful and loud are usually part of the HIP approach for 18th and early 19th century music. It was a quieter, pre-industrial time that called for a different aesthetic approach.
I think it's possible to recognize its value without setting up a HIP v. modern shootout at the OK corral.