Home
AudioAsylum Trader
Music Lane

It's all about the music, dude! Sit down, relax and listen to some tunes.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

OK - I misunderstood your point

Posted by Chris from Lafayette on March 7, 2017 at 22:46:40:

But still, I don't agree with all of your assertions:

"But vinyl cannot equal the SNR of digital" - Very true!

"The digital crowd perceive this [i.e., vinyl's more restricted SNR] as an advantage of digital, because, you know, measured numbers are the whole story." - Nope. Hearing is believing! (You know, if it sounds good, it is good!)

"But in reality, it [the restricted SNR of vinyl] is the key to the naturalness of analog audio. It just sounds more "real" than digital." - I can't speak for others, but, surely you'll agree that how "real" something sounds is, at least in part, system dependent, whether analog or digital.

"The neophytes call it [the restricted SNR of vinyl] "warmth" but it is not warmth, it is just closer to the real world experience." - I don't think we have a common understanding of "warmth" here. My experience is that when most people talk about audio "warmth", they're referring to a slight elevation of the bass frequencies as well as a slight roll-off of the highs, as well as the "more pleasant" even-order harmonic distortions.

"Once again, no universals." - Once again, agreement! ;-)