|
Music Lane It's all about the music, dude! Sit down, relax and listen to some tunes. |
For Sale Ads |
Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.
Original Message
OK - I misunderstood your point
Posted by Chris from Lafayette on March 7, 2017 at 22:46:40:
But still, I don't agree with all of your assertions:
"But vinyl cannot equal the SNR of digital" - Very true!
"The digital crowd perceive this [i.e., vinyl's more restricted SNR] as an advantage of digital, because, you know, measured numbers are the whole story." - Nope. Hearing is believing! (You know, if it sounds good, it is good!)
"But in reality, it [the restricted SNR of vinyl] is the key to the naturalness of analog audio. It just sounds more "real" than digital." - I can't speak for others, but, surely you'll agree that how "real" something sounds is, at least in part, system dependent, whether analog or digital.
"The neophytes call it [the restricted SNR of vinyl] "warmth" but it is not warmth, it is just closer to the real world experience." - I don't think we have a common understanding of "warmth" here. My experience is that when most people talk about audio "warmth", they're referring to a slight elevation of the bass frequencies as well as a slight roll-off of the highs, as well as the "more pleasant" even-order harmonic distortions.
"Once again, no universals." - Once again, agreement! ;-)