Home
AudioAsylum Trader
Hi-Rez Highway

New high resolution SACD releases, players and technology.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

RE: Moreover. . .

Posted by John Elison on July 8, 2017 at 20:55:24:

I've been copying vinyl to 5.6-MHz DSD and it seems to have the sweetest highs I've ever heard from digital. I used to think my 24/96 PCM copies of vinyl were perfect, but I'm beginning to think DSD is even more perfect. I really love DSD and I've decided to make all future copies of vinyl records on 5.6-MHz DSD using my TASCAM DA-3000 DSD recorder.

With regard to editing, all I can do is crop my DSD recordings and divide each record side into individual cuts using TASCAM's Hi-Res Editor software. It also places a very short fade at the beginning and end of each cut. I sometimes wish I could insert longer fades in addition to performing amplitude normalization, but I don't want to transfer from DSD into PCM. Therefore, I guess I can live with minimal editing.

Best regards,
John Elison