Home
AudioAsylum Trader
General Asylum

General audio topics that don't fit into specific categories.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

Many thanks!!!

Posted by Quint on March 8, 2006 at 09:30:49:

Your explanation was incredibly detailed and very helpful. Everything you said makes perfect sense to me. I had heard that Japanese SACDs were often made from dupes, but was careful to not make any decisions until I did an A/B myself. This morning, just for kicks, I borrowed my friend's Japanese copy of Norah Jones' "Come Away with Me." The differences were as you stated, and this was before I read your post. The Japanese pressing did indeed sound slower and not as clear and crisp as the American copy (which wasn't a great demo of SACD's potential, to begin with). And the highs were a little "peakier" too. Again, thanks for your great explanation. It saved me a lot of money! :)