Home
AudioAsylum Trader
Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

Re: When was the last time you saw a really good (current) film in a movie theater?

Posted by Pepe Le Loco on August 17, 2005 at 18:15:10:

Last weekend I saw War of the Worlds. Not a perfect film. It suffers from the cliches that characterize Spielberg's work, (the re-use of stock situations from his earlier movies, self consciously theatrical or cutesy lines, self consciously precoscious little kids, self consciously cutesy camera and editing cheats, etc.).

Yet the film is also dense, in the best sense of the word- more so than any film I've seen this year, anyway. Images are sometimes layered in multiple meaning, as Spielberg composes with the logic and structure of poetry and nightmare. References to other films abound, but are never clumsey or out of place. Never just "thrown in", they are organic to the film, and often transcend themselves to enrich the whole.

And this is to say nothing of the obviously first rate craft on display. Impeccable and inventive production design, cinematography, sound, special effects, and often brilliant stageing and editing, with solid performances from virtually all on board.


Ultimately the film feels as though something's missing from the last act- as if a scene or two were shot and then cut. But apart from this and the Spielbergisms I mentioned earlier, it ranks as one of the most formidable movies of at least the last few years. Why this film has been overlooked by so many is puzzling. Its far smarter, far richer, than the failed summer popcorn fodder its being taken for.